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Shloka 2

Adhyaya 83The Slaying of Mahishasura’s Armies and the Final Death of Mahishasura

स देवीं शरवर्षेण ववर्ष समरेऽसुरः ।

यथा मेरुगिरेः शृङ्गं तोयवर्षेण तोयदः ॥

sa devīṃ śaravarṣeṇa vavarṣa samare 'suraḥ / yathā merugireḥ śṛṅgaṃ toyavarṣeṇa toyadaḥ

Dalam pertempuran, asura itu menghujani Dewi dengan hujan anak panah—bagaikan awan hujan mencurahkan hujan ke puncak Gunung Meru.

सःhe
सः:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (कर्ता), एकवचन; सर्वनाम
देवीम्the Goddess
देवीम्:
Karma (कर्म)
TypeNoun
Rootदेवी (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (कर्म), एकवचन
शरवर्षेणwith a shower of arrows
शरवर्षेण:
Karaṇa (करण)
TypeNoun
Rootशर-वर्ष (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (करण), एकवचन; षष्ठी-तत्पुरुषः (‘शराणां वर्षः’)
ववर्षrained/poured
ववर्ष:
Kriya (क्रिया)
TypeVerb
Rootवृष् (धातु)
Formलिट् (परोक्षभूत/Perfect), प्रथमपुरुष, एकवचन, परस्मैपद
समरेin battle
समरे:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootसमर (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (अधिकरण), एकवचन
असुरःthe Asura
असुरः:
Karta (कर्ता)
TypeNoun
Rootअसुर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (कर्ता), एकवचन
यथाas
यथा:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootयथा (अव्यय)
Formउपमानवाचक-अव्यय (as/just as)
मेरुगिरेःof Mount Meru
मेरुगिरेः:
Sambandha (सम्बन्ध)
TypeNoun
Rootमेरु-गिरि (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (सम्बन्ध), एकवचन; षष्ठी-तत्पुरुषः (‘मेरोः गिरिः’)
शृङ्गम्peak
शृङ्गम्:
Karma (कर्म)
TypeNoun
Rootशृङ्ग (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (कर्म), एकवचन
तोयवर्षेणwith a rain of water
तोयवर्षेण:
Karaṇa (करण)
TypeNoun
Rootतोय-वर्ष (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (करण), एकवचन; षष्ठी-तत्पुरुषः (‘तोयस्य वर्षः’)
तोयदःa rain-cloud (water-giver)
तोयदः:
Karta (कर्ता)
TypeNoun
Rootतोयद (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (कर्ता), एकवचन
Narrative voice (Ṛṣi narration within Devī Māhātmyam)
Devī (Ambikā/Caṇḍikā)
Ambikā / Caṇḍikā as the unmoved divine center
Asura assaultSimile of Meru (steadfastness)Divine invulnerability

FAQs

The Goddess is portrayed as Meru-like—unshaken by the barrage of hostility. The teaching is steadiness (dhairya) and the futility of aggression against the ground of order.

Anucarita within Manvantara; the imagery of Meru also resonates with cosmic geography motifs, though used here as an upamā (simile) in narrative.

Meru signifies the axis of consciousness; the ‘arrow-rain’ is the mind’s projections and attacks—ineffective against the centered awareness that is Śakti.