Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
ततश्चाकृष्य पातालं ताभ्यां नीतो नृपात्मजः ।
पाताले ददृशे चोभौ स पन्नगकुमारकौ ॥
tataś cākṛṣya pātālaṃ tābhyāṃ nīto nṛpātmajaḥ | pātāle dadṛśe cobhau sa pannagakumārakau ||
Kemudian, menariknya turun ke Pātāla, kedua-duanya memimpin putera itu. Di Pātāla, dia melihat kedua-duanya—putera Naga yang muda.
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Guidance by non-human beings suggests that access to hidden knowledge/realms often requires trustworthy intermediaries; it also underscores hospitality and alliance across worlds.
Ākhyāna (narrative). If embedded in a royal lineage story, it can support vaṃśānucarita indirectly, but the verse itself is episodic.
Being ‘drawn down’ can represent inward descent into subconscious layers; Nāga youths function as guardians of subterranean (hidden) wisdom and vitality.