Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
अक्षरं परमं ब्रह्म विश्वञ्चैतत् क्षरात्मकम् ।
दारुण्यवस्थितो वह्निर्भौमाश्च परमाणवः ॥
akṣaraṃ paramaṃ brahma viśvaṃ caitat kṣarātmakam | dāruṇy avasthito vahnir bhaumāś ca paramāṇavaḥ ||
Brahman Yang Tertinggi itu tidak binasa, sedangkan seluruh alam semesta ini bersifat fana. Seperti api bersemayam dalam kayu, demikian juga zarah-zarah halus (atom bumi) bersemayam sebagai dasar halus bagi dunia yang termanifestasi.
{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The perishable cosmos is not denied, but grounded in an imperishable absolute. Ethically, this encourages detachment from the transient while maintaining reverence for the world as a manifestation supported by the divine.
Supports 'Sarga/Pratisarga' conceptually by describing the relationship between the unchanging principle and the changing universe—an ontological frame for creation narratives.
The fire-in-wood metaphor indicates latent divinity/power within matter. In Shakta reading, Śakti is both the hidden potency (vahni) and the manifest world-process (kṣara).