Shloka 13

Adhyaya 20 — Ritadhvaja’s Companionship with the Naga Princes and the Origin of the Horse Kuvalaya

Sanskrit

स च ताभ्यां नृपसुतः परं निर्वाणमाप्तवान् ।

विनोदैर्विविधैर्हास्य-सम्लापादिभिरेव च ॥

Transliteration

sa ca tābhyāṃ nṛpasutaḥ paraṃ nirvāṇam āptavān |

vinodair vividhair hāsya-saṃlāpādibhir eva ca ||

Translation

Dan putera raja itu memperoleh ketenteraman tertinggi, seakan-akan pembebasan (moksha), melalui mereka, dengan pelbagai hiburan—tawa, perbualan bersenda gurau, dan seumpamanya.

Word by Word

• सः: he
• सः: Karta (कर्ता/Subject)
• Type: Noun
• Root: तद् (सर्वनाम-प्रातिपदिक)
• Form: पुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; सर्वनाम (pronoun)

• च: and
• च: Sambandha (सम्बन्ध/connector)
• Type: Indeclinable
• Root: च (अव्यय)
• Form: समुच्चय-अव्यय (conjunction)

• ताभ्याम्: by/with those two (women)
• ताभ्याम्: Karana (करण/Instrument)
• Type: Noun
• Root: तद् (सर्वनाम-प्रातिपदिक)
• Form: स्त्रीलिङ्ग, तृतीया (3rd/Instrumental), द्विवचन; सर्वनाम

• नृपसुतः: the king’s son
• नृपसुतः: Karta (कर्ता/Subject; apposition to सः)
• Type: Noun
• Root: नृप + सुत (प्रातिपदिक)
• Form: पुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; षष्ठी-तत्पुरुष (genitive tatpuruṣa) ‘नृपस्य सुतः’

• परम्: supreme
• परम्: Karma (कर्म/Object; qualifier)
• Type: Adjective
• Root: पर (प्रातिपदिक)
• Form: नपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; विशेषण (qualifier)

• निर्वाणम्: nirvāṇa, liberation
• निर्वाणम्: Karma (कर्म/Object)
• Type: Noun
• Root: निर्वाण (प्रातिपदिक)
• Form: नपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन

• आप्तवान्: attained
• आप्तवान्: Kriya (क्रिया/Verbal predicate)
• Type: Verb
• Root: आप् (धातु) + क्तवतुँ (कृदन्त-प्रत्यय)
• Form: क्तवत्-प्रत्ययान्त कृदन्त (past active participle); पुंलिङ्ग, प्रथमा, एकवचन; परस्मैपदी-भावार्थः ‘प्राप्तवान्’

• विनोदैः: with amusements
• विनोदैः: Karana (करण/Instrument)
• Type: Noun
• Root: विनोद (प्रातिपदिक)
• Form: पुंलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन

• विविधैः: various
• विविधैः: Karana (करण/Instrument; qualifier)
• Type: Adjective
• Root: विविध (प्रातिपदिक)
• Form: पुंलिङ्ग, तृतीया, बहुवचन; विशेषण (qualifying विनोदैः)

• हास्य-सम्लाप-आदिभिः: by laughter, talk, and the like
• हास्य-सम्लाप-आदिभिः: Karana (करण/Instrument)
• Type: Noun
• Root: हास्य + सम्लाप + आदि (प्रातिपदिक)
• Form: पुंलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन; समाहार-द्वन्द्व/समुच्चयार्थः ‘हास्यं च सम्लापः च आदयः’ (laughter, conversation, etc.)

• एव: indeed, just
• एव: Sambandha (सम्बन्ध/emphasis)
• Type: Indeclinable
• Root: एव (अव्यय)
• Form: निश्चय/अवधारण-अव्यय (emphatic particle)

• च: and
• च: Sambandha (सम्बन्ध/connector)
• Type: Indeclinable
• Root: च (अव्यय)
• Form: समुच्चय-अव्यय (conjunction)

Speakers

• Narrative voice (contextual storyteller within Markandeya Purana frame; exact speaker not specified in input)

Verse Rasa

{ "primaryRasa": "shanta", "secondaryRasa": "hasya", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

Key Themes

• Dharma
• Psychology of attachment
• Friendship/companionship (saṅga)
• Relief from suffering through wholesome association

FAQs

What is the philosophical or ethical takeaway?

The verse highlights how saṅga (association) powerfully shapes the mind: wholesome companionship can calm agitation and produce a state described hyperbolically as ‘supreme nirvāṇa’—not necessarily mokṣa here, but profound mental ease.

How does this fit the Pancalakshana (5 characteristics)?

Primarily Ākhyāna/Upākhyāna (narrative exemplum) used to teach dharma and mind-discipline; it is not directly sarga/pratisarga/manvantara/vaṃśa/vaṃśānucarita in this local unit.

What is the esoteric significance?

‘Nirvāṇa’ is used as an inner-state marker: when prāṇa and manas are soothed by sattvic interaction (laughter without malice, truthful friendly speech), the mind tastes a reflection of liberation—cessation of inner burning (tāpa).