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Shloka 24

Śakra–Namuci-saṃvāda: Śoka-nivāraṇa and Daiva-vicāra

Indra and Namuci on grief, composure, and inevitability

एवं पज्चत्रिका होते गुणास्तदुपलब्धये । येनायं त्रिविधो भाव: पर्यायात्‌ समुपस्थित:,इस प्रकार ये तीन-तीनके पाँच समुदाय हैं, ये सब गुण कहे गये हैं। इनसे शब्दादि विषयोंका ग्रहण होता है, जिससे ये कर्ता, कर्म और करणरूपी त्रिविध भाव बारी-बारीसे उपस्थित होते हैं

evaṃ pañcatrikā hote guṇās tad-upalabdhaye | yenāyaṃ trividhō bhāvaḥ paryāyāt samupasthitaḥ ||

Maka demikianlah adanya lima himpunan yang masing-masing terdiri daripada tiga; semuanya disebut ‘guṇa’ (sifat) kerana melaluinya objek-objek seperti bunyi dan seumpamanya dapat ditanggapi. Dengan gerak kerjanya, rangkaian tiga serangkai—pelaku, perbuatan, dan alat—timbul berturut-turut, menzahirkan diri satu demi satu.

एवम्thus, in this manner
एवम्:
TypeIndeclinable
Rootएवम्
पञ्चत्रिकाःgroups of five triads (five sets of three)
पञ्चत्रिकाः:
Karta
TypeNoun
Rootपञ्चत्रिक
FormMasculine, Nominative, Plural
होतेare, become
होते:
TypeVerb
Rootभू
FormPresent, Third, Plural, Atmanepada
गुणाःqualities, attributes
गुणाः:
Karta
TypeNoun
Rootगुण
FormMasculine, Nominative, Plural
तत्that (it)
तत्:
Karma
TypePronoun
Rootतद्
FormNeuter, Accusative, Singular
उपलब्धयेfor apprehension/realization
उपलब्धये:
Sampradana
TypeNoun
Rootउपलब्धि
FormFeminine, Dative, Singular
येनby which
येन:
Karana
TypePronoun
Rootयद्
FormMasculine/Neuter, Instrumental, Singular
अयम्this
अयम्:
Karta
TypePronoun
Rootइदम्
FormMasculine, Nominative, Singular
त्रिविधःthreefold
त्रिविधः:
TypeAdjective
Rootत्रिविध
FormMasculine, Nominative, Singular
भावःstate, entity, mode
भावः:
Karta
TypeNoun
Rootभाव
FormMasculine, Nominative, Singular
पर्यायात्in succession, by turns (lit. from sequence)
पर्यायात्:
Apadana
TypeNoun
Rootपर्याय
FormMasculine, Ablative, Singular
समुपस्थितःhas arisen/has presented itself
समुपस्थितः:
TypeVerb
Rootसम्-उप-स्था
FormMasculine, Nominative, Singular, Past passive participle (क्त)

भीष्म उवाच

B
Bhishma

Educational Q&A

Bhishma explains a causal account of experience and action: certain ‘qualities’ arranged as five triads enable the apprehension of sense-objects (like sound), and from their functioning the triad of agent–action–instrument becomes manifest sequentially. The point is to analyze how cognition and doership arise from constituent factors rather than from an unexamined, independent self.

In the Shanti Parva’s instructional setting, Bhishma continues his philosophical exposition to Yudhishthira, describing how perception of objects and the sense of agency are structured—linking the apprehension of sensory domains to the emergence of the threefold framework of action (doer, deed, means).