Shloka 2
Sauptika-parva Adhyāya 13 — Bhīmasena’s Pursuit of Drauṇi and the Release of a Divine Astra
उसमें सोनेकी माला पहने हुए अच्छी जातिके काबुली घोड़े जुते हुए थे। उस श्रेष्ठ रथकी कान्ति उदयकालीन सूर्यके समान अरुण थी। उसकी दाहिनी धुरीका बोझ शैव्य ढो रहा था और बायींका सुग्रीव। उन दोनोंके पार्श्वभागमें क्रमश: मेघपुष्प और बलाहक जुते हुए थे
tasmin suvarṇamālābharaṇe rathavare śubrajātīyāḥ kābulīyā aśvā yuktāḥ sma | tasya rathasya kāntir udayakālasūryasadṛśī aruṇā āsīt | tasya dakṣiṇāyāṃ dhurīyāṃ bhāraṃ śaivyaḥ vahati sma vāmyāṃ sugrīvaḥ | tayoḥ pārśvabhāgeṣu kramāt meghapuṣpo balāhakaś ca yuktau |
Vaiśampāyana berkata: “Kereta unggul itu dipasangkan dengan kuda Kabul yang baik keturunannya, berkalungkan untaian emas. Sinarnya merah seperti matahari terbit. Beban kuk sebelah kanan dipikul oleh Śaivya dan sebelah kiri oleh Sugrīva; pada sisi-sisi belakangnya, menurut tertib, dipasangkan Meghapuṣpa dan Balāhaka.”
वैशम्पायन उवाच
Educational Q&A
The verse does not state a direct moral maxim; instead it uses vivid martial imagery to underscore how external grandeur (a radiant chariot, noble horses) can accompany actions and events unfolding in a morally dark context—reminding the reader to judge by dharma rather than by splendor.
Vaiśampāyana describes a distinguished chariot and its team: Kabul-bred horses, golden ornamentation, sunrise-like crimson sheen, and the named horses positioned on the right, left, and flanks—setting the scene for the movements and actions that follow in the Sauptika episode.