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Shloka 4

भीमसेनस्य बहुमहारथसंयुगः

Bhīmasena’s Engagement with Multiple Mahārathas

तं द्वादशाख्यैर्नकुलो माधवद्च त्रिभि: शरै: । धृष्टय्युम्नश्व॒ सप्तत्या भीमसेनश्न सप्तभि:

taṁ dvādaśākhyair nakulo mādhavaṁ ca tribhiḥ śaraiḥ | dhṛṣṭadyumnaś ca saptatyā bhīmasenaś ca saptabhiḥ ||

Sañjaya berkata: Nakula menimpa dia dengan dua belas anak panah, dan Mādhava (Kṛṣṇa) dengan tiga. Dhr̥ṣṭadyumna menikamnya dengan tujuh puluh, dan Bhīmasena dengan tujuh. Demikianlah, dalam himpitan pertempuran, para pahlawan Pāṇḍava menumpukan anak panah mereka pada seorang musuh, memperlihatkan kesepaduan dan tekad ketenteraan di tengah etika perang yang keras.

तम्him
तम्:
Karma
TypePronoun
Rootतद्
FormMasculine, Accusative, Singular
द्वादशाख्यैःwith twelve-named (arrows)
द्वादशाख्यैः:
Karana
TypeAdjective
Rootद्वादशाख्य
FormMasculine/Neuter, Instrumental, Plural
नकुलःNakula
नकुलः:
Karta
TypeNoun
Rootनकुल
FormMasculine, Nominative, Singular
माधवत्like Mādhava (Krishna)
माधवत्:
TypeIndeclinable
Rootमाधवत्
and
:
TypeIndeclinable
Root
त्रिभिःwith three
त्रिभिः:
Karana
TypeAdjective
Rootत्रि
FormMasculine/Neuter, Instrumental, Plural
शरैःarrows
शरैः:
Karana
TypeNoun
Rootशर
FormMasculine, Instrumental, Plural
धृष्टद्युम्नःDhrishtadyumna
धृष्टद्युम्नः:
Karta
TypeNoun
Rootधृष्टद्युम्न
FormMasculine, Nominative, Singular
सप्तत्याwith seventy
सप्तत्या:
Karana
TypeNoun
Rootसप्तति
FormFeminine, Instrumental, Singular
भीमसेनःBhimasena
भीमसेनः:
Karta
TypeNoun
Rootभीमसेन
FormMasculine, Nominative, Singular
सप्तभिःwith seven
सप्तभिः:
Karana
TypeAdjective
Rootसप्त
FormMasculine/Neuter, Instrumental, Plural

संजय उवाच

S
Sañjaya
N
Nakula
M
Mādhava (Kṛṣṇa)
D
Dhṛṣṭadyumna
B
Bhīmasena (Bhīma)
A
arrows (śara)

Educational Q&A

The verse highlights disciplined, coordinated action in the performance of kṣatriya-duty: multiple warriors focus their efforts decisively. Ethically, it reflects the Mahābhārata’s tension—dharma pursued through force—where resolve and strategy are praised, yet the cost of violence remains implicit.

Sañjaya reports a battlefield moment in which Nakula, Kṛṣṇa (Mādhava), Dhṛṣṭadyumna, and Bhīma each strike the same opponent with a specified number of arrows, indicating concentrated attack and the intensity of the Kurukṣetra combat.