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Shloka 50

Pratyakṣa–Āgama–Ācāra: Doubt, Proof, and the Practice of Dharma (प्रत्यक्ष–आगम–आचारविचारः)

अश्मना चरणोौ भित्त्वा गुह्॒ुकेषु स मोदते । साधयित्वा55त्मना>5>5त्मान निर्दधन्द्धो निष्परिग्रह:

aśmanā caraṇau bhittvā guhakeṣu sa modate | sādhayitvā ātmanā ātmānaṃ nirdvandvo niṣparigrahaḥ ||

Maheshvara bersabda: “Setelah membelah kakinya sendiri dengan batu lalu meninggalkan jasad, dia bersukacita di tengah para Guhyaka. Sesiapa yang bersandar pada dirinya sendiri untuk menyara hidup, bebas daripada dualiti dan tanpa milikan, menjalani disiplin nazar selama dua belas tahun; dan pada akhirnya, dengan menikam dan membelah kakinya dengan batu, dia melepaskan tubuh—orang itu mencapai alam Guhyaka dan menikmati kebahagiaan di sana.”

अश्मनाwith a stone
अश्मना:
Karana
TypeNoun
Rootअश्मन्
FormMasculine/Neuter, Instrumental, Singular
चरणौthe two feet
चरणौ:
Karma
TypeNoun
Rootचरण
FormMasculine, Accusative, Dual
भित्त्वाhaving split / having pierced
भित्त्वा:
TypeVerb
Rootभिद्
Formक्त्वा (absolutive/gerund), Parasmaipada (usage), Non-finite
गुह्युकेषुamong the Guhyukas
गुह्युकेषु:
Adhikarana
TypeNoun
Rootगुह्युक
FormMasculine, Locative, Plural
सःhe
सः:
Karta
TypePronoun
Rootतद्
FormMasculine, Nominative, Singular
मोदतेrejoices / enjoys
मोदते:
TypeVerb
Rootमुद्
FormLat (Present), Atmanepada, Third, Singular

श्रीमहेश्वर उवाच

Ś
Śrī-Maheśvara (speaker)
G
Guhyakas
A
aśman (stone)
C
caraṇa (feet)
G
Guhyaka-loka (realm of the Guhyakas, implied)

Educational Q&A

The verse praises rigorous ascetic discipline: living with self-reliance, freedom from dualities, and non-possessiveness. Such sustained vow-observance is presented as producing a specific posthumous spiritual reward—attainment of the Guhyaka realm—highlighting the Mahabharata’s theme that inner restraint and renunciation can yield transcendent results.

Maheśvara describes the fate of an ascetic who completes a long vow (twelve years, per the accompanying gloss), lives without possessions and without being shaken by opposites, and finally relinquishes the body through an extreme act involving a stone and his feet. The narrative outcome is that he reaches the world of the Guhyakas and experiences joy there.