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Shloka 165

देवैर्विष्णोः शरणागमनम्—शिवलिङ्गस्थापनं, शिवसहस्रनामस्तवः, सुदर्शनचक्रप्रदानं च

शूलटङ्कगदाचक्रकुन्तपाशधरं हरम् वरादभयहस्तं च द्वीपिचर्मोत्तरीयकम्

śūlaṭaṅkagadācakrakuntapāśadharaṃ haram varādabhayahastaṃ ca dvīpicarmottarīyakam

Renungkanlah Hara, Tuhan (Pati), yang memegang trisula, kapak, gada, cakra, lembing dan jerat; tangan-Nya menganugerahkan kurnia serta keberanian tanpa takut; dan Dia berselimutkan kain bahu daripada kulit harimau bintang.

शूल (śūla)trident
शूल (śūla):
टङ्क (ṭaṅka)axe/hatchet
टङ्क (ṭaṅka):
गदा (gadā)mace
गदा (gadā):
चक्र (cakra)discus
चक्र (cakra):
कुन्त (kunta)spear
कुन्त (kunta):
पाश (pāśa)noose (bondage-binding power)
पाश (pāśa):
धरम् (dharam)bearing/holding
धरम् (dharam):
हरम् (haram)Hara, Shiva (the Remover)
हरम् (haram):
वरद (varada)boon-giving
वरद (varada):
अभय (abhaya)fearlessness
अभय (abhaya):
हस्त (hasta)hand
हस्त (hasta):
द्वीपि (dvīpi)leopard
द्वीपि (dvīpi):
चर्म (carma)skin/hide
चर्म (carma):
उत्तरीयकम् (uttarīyakam)upper garment/covering
उत्तरीयकम् (uttarīyakam):

Suta Goswami (narrating to the sages of Naimisharanya, conveying a dhyana/visualization description used in Shiva worship)

S
Shiva
H
Hara

FAQs

It provides a dhyana-lakshana (meditative iconography) for focusing the mind on Pati (Shiva) during Linga-upasana—seeing Him as the giver of grace (varada) and protector (abhaya), which stabilizes devotion and concentration in puja.

Shiva is presented as Pati: sovereign and compassionate, simultaneously wielding powers that restrain and liberate (pāśa) while granting fearlessness—signifying His mastery over bondage (pāśa) and His bestowal of anugraha (saving grace) to the pashu (individual soul).

Dhyana (icon-meditation) as part of Shiva-puja: visualizing Hara with specific attributes and mudras before worship, aligning the practitioner’s mind toward Pashupata-oriented inner discipline and surrender to the Lord.