देवैर्विष्णोः शरणागमनम्—शिवलिङ्गस्थापनं, शिवसहस्रनामस्तवः, सुदर्शनचक्रप्रदानं च
सामगेयः प्रियकरः पुण्यकीर्तिरनामयः मनोजवस्तीर्थकरो जटिलो जीवितेश्वरः
sāmageyaḥ priyakaraḥ puṇyakīrtiranāmayaḥ manojavastīrthakaro jaṭilo jīviteśvaraḥ
Baginda dipuji melalui nyanyian Sāman; pemberi yang dicinta dan membawa keberkatan; kemasyhuran-Nya suci, bebas daripada derita. Sepantas fikiran, Baginda menegakkan tīrtha, tempat suci penyeberangan; sang pertapa berambut jata; Tuhan bagi kehidupan—Śiva, Pati yang melonggarkan pāśa yang mengikat paśu.
Suta Goswami (narrating to the sages of Naimisharanya; Sahasranama section)
It frames the Linga-Lord as Veda-praised (Sāman), tapas-embodied (jaṭila), and a sanctifier who establishes tīrthas—supporting Linga-pūjā as both Vedic and liberative, aimed at removing the pāśas that bind the paśu.
Shiva is portrayed as anāmaya (untainted by affliction), the swift inner governor (manojava), and jīviteśvara (Lord of life), indicating Pati-tattva: the transcendent yet immanent ruler who grants auspiciousness and liberation.
Vedic praise through Sāma-chanting and tīrtha-oriented sanctification are implied, alongside the ascetic ideal (jaṭila) aligned with Pāśupata discipline—purifying the practitioner and turning worship toward release from bondage.