Shloka 24

देवदारुवनौकसां प्रति ब्रह्मोपदेशः—लिङ्गलक्षण-प्रतिष्ठा-विधिः, शिवमायारूपदर्शनं, स्तुतिः

Devanagari script

शैवालशोभनाः केचित् केचिदन्तर्जलेशयाः केचिद्दर्भावकाशास्तु पादाङ्गुष्ठाग्रधिष्ठिताः

Transliteration

śaivālaśobhanāḥ kecit kecidantarjaleśayāḥ keciddarbhāvakāśāstu pādāṅguṣṭhāgradhiṣṭhitāḥ

Translation

Ada yang dihiasi lumut sungai; ada yang berbaring tersembunyi di dalam air; ada yang berdiam di sela-sela rumput kuśa; dan ada yang ditegakkan di hujung ibu jari kaki—kedudukan halus bagi jiwa berjasad (paśu) yang bergerak di bawah ikatan (pāśa) dalam ciptaan nyata Sang Pati, Tuhan Yang Esa.

Word by Word

• केचित्: some

• शैवाल-शोभनाः: beautified/adorned by moss (algae)

• केचित्: some

• अन्तः-जले-शयाः: lying/resting within the water

• केचित्: some

• दर्भ-अवकाशाः: having a place/space in darbha (kuśa) grass

• तु: indeed/and

• पाद-अङ्गुष्ठ-अग्र-अधिष्ठिताः: established/located at the tip of the great toe (of the foot)

Speaker

Suta (narrating the Purana to the sages of Naimisharanya)

Characters & Entities

• Shiva

FAQs

What is the importance of this verse in the context of Linga worship?

It supports the Shaiva view that Shiva (Pati) pervades all loci of creation—waters, grasses used in ritual, and subtle bodily points—so tirtha, darbha, and embodied practice can all become supports for Linga-oriented devotion and purification.

How does this verse describe the nature of Shiva (Shiva-tattva)?

By implying many hidden “stations” within nature and the body, it points to Shiva-tattva as immanent and all-pervading, while beings (paśu) experience varied conditions due to pāśa until they turn toward Pati through knowledge and worship.

What ritualistic or Yogic practice is highlighted here?

Ritually, it foregrounds darbha (kuśa) and water—key purificatory media in Vedic-Shiva rites; yogically, the mention of a toe-tip station evokes subtle-body localization used in contemplative disciplines aligned with Pashupata-style interiorization.