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Shloka 82

Adhyaya 17: लिङ्गोद्भव—ब्रह्मविष्ण्वहङ्कार-शमनं, ओंकार-प्रादुर्भावः, मन्त्र-तत्त्वं च

प्रणम्य भगवान् विष्णुः पुनश्चापश्यदूर्द्ध्वतः ओङ्कारप्रभवं मन्त्रं कलापञ्चकसंयुतम्

praṇamya bhagavān viṣṇuḥ punaścāpaśyadūrddhvataḥ oṅkāraprabhavaṃ mantraṃ kalāpañcakasaṃyutam

Setelah menunduk sujud dengan hormat, Dewa Viṣṇu memandang ke atas sekali lagi dan melihat suatu mantra yang lahir daripada Oṅkāra yang suci, dihiasi dengan lima kalā (fasa ketuhanan).

प्रणम्यhaving bowed/prostrated
प्रणम्य:
भगवान्the Blessed Lord
भगवान्:
विष्णुःViṣṇu
विष्णुः:
पुनःagain
पुनः:
and
:
अपश्यत्saw/beheld
अपश्यत्:
ऊर्ध्वतःupward/above
ऊर्ध्वतः:
ओङ्कार-प्रभवम्originating from Oṃ (Oṅkāra)
ओङ्कार-प्रभवम्:
मन्त्रम्mantra/sacred formula
मन्त्रम्:
कला-पञ्चक-संयुतम्joined with the group of five kalās (five divine phases/energies).
कला-पञ्चक-संयुतम्:

Suta Goswami (narrating to the sages at Naimisharanya)

V
Vishnu
O
Om (Ongkara)
S
Shiva (implied as Pati)

FAQs

It links Linga-revelation with mantra-revelation: Viṣṇu perceives the Oṅkāra-born mantra endowed with five kalās, indicating that true Linga-worship is grounded in Śiva-mantra (sound as the subtle form of the Linga).

Śiva-tattva is implied as the transcendent Pati recognized “above” through Oṃ and its five kalās—signifying a reality beyond the pasha (bondage) that the pashu (soul) and even devas approach through reverence and inner vision.

Mantra-upāsanā centered on Oṃ (Oṅkāra) is highlighted—an inner Pāśupata-aligned discipline where contemplation of the seed-sound and its kalās leads the seeker toward direct apprehension of the Lord.