Agni Purana — Yoga & Brahma-vidya, Shloka 3
Chapter 376 — ब्रह्मज्ञानम्
Knowledge of Brahman
देहः स चेदव्यवहरेद्विकार्यादिसन्निभः चक्षुरादीनीन्द्रियाणि नात्मा वै करणं त्वतः
dehaḥ sa cedavyavaharedvikāryādisannibhaḥ cakṣurādīnīndriyāṇi nātmā vai karaṇaṃ tvataḥ
Jika tubuh bukan alat bagi perbuatan, ia akan menyerupai bahan yang lengai dan boleh berubah, dan seumpamanya. Oleh itu, mata dan indera-indera lain ialah alat; Diri bukanlah alat.
Lord Agni (in discourse to Sage Vasiṣṭha, typical Agni Purana dialogue frame)
Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Samanya","practical_application":"Understand body and senses as instruments (karaṇa) and abide as non-instrumental Self; improves discrimination in meditation and daily action.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Indriya-karaṇatva and ātman as non-instrument","lookup_keywords":["indriya","karaṇa","deha-vikāra","ātman-akartṛ","caksur-ādi"],"quick_summary":"The body is inert and modifiable; senses like the eye are instruments for experience/action, while the Self is not an instrument and is distinct from them."}
Concept: Body and indriyas function as karaṇas; the ātman is the conscious principle, not a tool among tools.
Application: In practice, shift identity from ‘I see’ to ‘seeing occurs through the eye; I am awareness’; reduces kartṛtva/bhoktṛtva fixation.
Khanda Section: Moksha-vidya (Atma-Jnana / Sankhya-Vedanta themes)
Primary Rasa: Śānta
Secondary Rasa: Adbhuta
Visual Art Cues: {"scene_description":"A schematic yet artistic depiction of the body as a mechanism: eye, ear, and other senses shown as tools; behind them a luminous, formless awareness indicating the Self as witness, not an instrument.","kerala_mural_prompt":"Kerala mural, stylized human figure with highlighted indriyas as symbolic implements, luminous background silhouette for sākṣin, strong contours, minimal realism, meditative palette.","tanjore_prompt":"Tanjore painting, central figure with gold-embossed highlights on eye and senses as ‘karaṇa’, radiant gold aura representing ātman, ornate frame, devotional-philosophical symbolism.","mysore_prompt":"Mysore painting, clear instructional layout: labeled senses (caksus etc.) as instruments, body as inert base, separate luminous witness field; fine lines and soft shading.","mughal_miniature_prompt":"Mughal miniature, semi-scientific allegory: detailed face with emphasized eye/ear, instruments motif, subtle luminous presence behind, refined brushwork and muted tones."}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: चेदव्यवहरेद्विकार्यादिसन्निभः → चेत् अव्यवहरेत् विकार्यादिसन्निभः; चक्षुरादीनीन्द्रियाणि → चक्षुरादीनि इन्द्रियाणि; नात्मा → न आत्मा; त्वतः (IAST) → ततः (देवनागरी-पाठानुसार).
Related Themes: Agni Purana 376 (continuation of viveka arguments)
FAQs
It imparts mokṣa-vidyā: a technical distinction that the senses (indriyas) function as instruments (karaṇas), while the ātman is the non-instrumental witness, not a tool of action.
Alongside ritual, polity, medicine, and arts, the Agni Purana also preserves systematic philosophical instruction (ātma–deha–indriya analysis), showing its scope as a compendium of practical and liberative knowledge.
By recognizing the Self as distinct from body and senses, one reduces identification-driven karma and advances toward detachment (vairāgya) and liberation-oriented insight (jñāna).