Previous Verse
Next Verse

Agni Purana — Raja-dharma, Shloka 59

Rājanīti (Statecraft): Ṣaḍvidha-bala, Vyūha-vidhāna, and Strategic Warfare

तथा कर्कटशृङ्गी च काकपादौ च गोधिका त्रिचतुःसैन्यानां ज्ञेया आकारभेदतः

tathā karkaṭaśṛṅgī ca kākapādau ca godhikā tricatuḥsainyānāṃ jñeyā ākārabhedataḥ

Demikian juga, formasi yang dinamai Karkaṭaśṛṅgī (“bertanduk ketam”), Kākapāda (“tapak gagak”), dan Godhikā (“cicak”) hendaklah difahami—dibezakan menurut bentuknya—sebagai susunan pasukan tiga dan empat lapis.

तथाlikewise/so
तथा:
Sambandha (सम्बन्ध/क्रियाविशेषण)
TypeIndeclinable
Roottathā (अव्यय)
Formअव्यय; प्रकारवाचक क्रियाविशेषण (indeclinable adverb: ‘thus/likewise’)
कर्कट-शृङ्गीthe ‘crab-horned’ (formation/name)
कर्कट-शृङ्गी:
Karta (कर्ता/उद्देश्य-निर्देश)
TypeNoun
Rootkarkaṭa (प्रातिपदिक) + śṛṅgin (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; तत्पुरुष-समास (कर्कटस्य शृङ्गी)
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चयबोधक निपात (conjunction ‘and’)
काक-पादौthe ‘crow-feet’ (two)
काक-पादौ:
Karta (कर्ता/उद्देश्य-निर्देश)
TypeNoun
Rootkāka (प्रातिपदिक) + pāda (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), द्विवचन; तत्पुरुष-समास (काकस्य पादौ)
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
Formअव्यय; समुच्चयबोधक निपात
गोधिकाiguana/lizard (name of a formation)
गोधिका:
Karta (कर्ता/उद्देश्य-निर्देश)
TypeNoun
Rootgodhikā (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन
त्रि-चतुः-सैन्यानाम्of the three- and four-army (arrays)
त्रि-चतुः-सैन्यानाम्:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Roottri (संख्या/प्रातिपदिक) + catur (संख्या/प्रातिपदिक) + sainya (प्रातिपदिक)
Formनपुंसकलिङ्ग (सैन्य-शब्द), षष्ठी (6th), बहुवचन; द्वन्द्व-समास (त्रीणि च चत्वारि च सैन्यानि)
ज्ञेयाshould be known/are to be recognized
ज्ञेया:
Vidheyabhava (विधेय/कर्तव्यता)
TypeVerb
Rootjñā (धातु) + ya (कृत्)
Formकृदन्त (भाव्य/विधेय), ‘ज्ञेय’ (gerundive/future passive participle); स्त्रीलिङ्ग, प्रथमा (1st), एकवचन; विधेय-विशेषण (to be known)
आकार-भेदतःaccording to differences in shape
आकार-भेदतः:
Hetu/Upapada (हेतु/प्रकार)
TypeIndeclinable
Rootākāra (प्रातिपदिक) + bheda (प्रातिपदिक) + tas (अव्यय-प्रत्यय)
Formअव्यय (तसिल्-प्रत्ययान्त); तत्पुरुष-समास (आकारस्य भेदः); ‘-तः’ = ‘from/according to’

Lord Agni (in instruction to the sage Vasiṣṭha, within the Agni Purāṇa’s didactic frame)

Vidya Category: {"primary_vidya":"Dhanurveda","secondary_vidya":"Arthashastra","practical_application":"Identification and deployment of named troop-arrays (vyuha) based on geometric/animal-shaped layouts for three- and four-limbed forces (infantry, cavalry, chariots, elephants).","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Karkaṭaśṛṅgī–Kākapāda–Godhikā Vyuha (Tri/Chatur-aṅga)","lookup_keywords":["Karkaṭaśṛṅgī vyuha","Kākapāda formation","Godhikā array","tri-aṅga chatur-aṅga","ākāra-bheda"],"quick_summary":"The verse catalogs three named battle-formations and states they are distinguished by their shapes; they are applicable to three- and four-fold armies depending on available arms."}

Concept: Knowledge as taxonomy: named forms are to be understood through distinguishing marks (ākāra-bheda).

Application: Standardize military communication—shared terminology for formations reduces confusion in deployment.

Khanda Section: Dhanurveda (Ancient Indian military science: battle-formations and troop-arrays)

Primary Rasa: adbhuta

Secondary Rasa: vira

Visual Art Cues: {"scene_description":"A battlefield diagram-like scene showing three distinct troop layouts labeled crab-horned, crow’s-foot, and lizard—each with infantry, cavalry, chariots, and elephants arranged to match the silhouette.","kerala_mural_prompt":"Kerala mural style, flat yet vivid battlefield panorama; stylized elephants and chariots forming a crab-horned and crow’s-foot geometry; commanders pointing with palm-leaf maps; earthy reds, greens, and ochres; temple-mural linework.","tanjore_prompt":"Tanjore painting, gold-leaf accents on standards and armor; symmetrical presentation of three formations as separate panels; ornate borders; gleaming weapons and royal commander at center holding a formation-scroll.","mysore_prompt":"Mysore painting, refined linework and soft shading; instructional composition with labeled troop blocks forming the three shapes; emphasis on clarity of outlines and unit types; muted jewel tones.","mughal_miniature_prompt":"Mughal miniature, top-down oblique view of a battlefield; precise ranks of soldiers forming crab-horned, crow’s-foot, and lizard patterns; detailed banners, horses, and elephants; calligraphic labels in margins."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":null,"pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: कर्कटशृङ्गी = कर्कट-शृङ्गी; काकपादौ = काक-पादौ; त्रिचतुःसैन्यानां = त्रि-चतुः-सैन्यानाम्; आकारभेदतः = आकार-भेदतः.

Related Themes: Agni Purana Dhanurveda khanda: vyuha-nirupana sections around 241.55–241.70 (arrays by name and type)

D
Dhanurveda
V
Vyūha (battle formation)
K
Karkaṭaśṛṅgī
K
Kākapāda
G
Godhikā

FAQs

It imparts Dhanurvedic tactical knowledge: recognizing specific named battle-formations (Karkaṭaśṛṅgī, Kākapāda, Godhikā) and classifying them as arrangements suited to three- or four-fold army components, identified primarily by their geometric layout.

By cataloging specialized vyūha terminology and practical battlefield classifications, it shows the Agni Purāṇa functioning as a compendium that includes not only theology and ritual but also applied sciences like statecraft and ancient Indian military strategy.

Indirectly, it supports dharma of protection (rājadharma/kṣātra-dharma): correct strategic knowledge helps a ruler defend subjects and maintain order, which is treated in Purāṇic thought as a meritorious duty when exercised for righteous governance.