HomeVamana PuranaAdh. 52Shloka 53
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Vamana Purana — Merit of Shravana Dvadashi, Shloka 53

The Merit of Śravaṇa-Dvādaśī and the Liberation of a Preta through Gayā Piṇḍa-Rites

देहं त्यक्त्वा निरालम्बं काष्टवद् देविकाजले क्षणान्मज्जंस्तथोन्मज्जन्मुक्तकेशो यदृच्छया

dehaṃ tyaktvā nirālambaṃ kāṣṭavad devikājale kṣaṇānmajjaṃstathonmajjanmuktakeśo yadṛcchayā

{"has_teaching": true, "teaching_type": "dharma", "core_concept": "Adharma loses tejas in the presence of Bhagavan; divine proximity reorders power.", "teaching_summary": "Vishnu tells Aditi (explicitly as Daksha’s daughter) that when he is in her womb the Daityas will lose splendor—indicating that cosmic authority (tejas) is contingent on alignment with dharma and the Lord’s will.", "vedantic_theme": "Ishvara’s sankalpa governs the rise/fall of powers; tejas as derivative, not absolute.", "practical_application": "Do not fear entrenched injustice; strengthen dharmic alignment and devotion—adharma’s ‘tejas’ is unstable."}

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Narratorial description within the chapter’s tirtha episode (speaker not explicit in provided excerpt).
Tirtha MahimaRitual purification through sacred watersLoss of agency/trance-like stateAuspicious/inauspicious bodily signs (loosened hair)

{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Not necessarily. In Purāṇic narrative, ‘abandoning the body’ can denote surrendering bodily control—fainting, entering a trance, or becoming helpless—especially when followed by ‘sinking and rising again,’ which implies continued life.

Loosened hair is a vivid marker of altered state—distress, possession/trance, or the disarray associated with sudden immersion. In tīrtha contexts it can also underscore the raw, unguarded condition of the bather before purification.

Devikā is treated as a named sacred water-body (river/tīrtha). The verse frames Devikā’s current as powerful enough to carry a person ‘like a log,’ reinforcing the site’s physical reality and its ritual prominence in the chapter’s geography-focused narration.