तस्याः संनिधिमाजग्मुस्तस्मिन्नेव जलाशये । यत्र सा पूजयेद्गौरीं कृत्वा तां पञ्च पिंडिकाम्
tasyāḥ saṃnidhimājagmustasminneva jalāśaye | yatra sā pūjayedgaurīṃ kṛtvā tāṃ pañca piṃḍikām
मग त्या सर्वजणी त्याच जलाशयात तिच्या जवळ गेल्या, जिथे ती पाच पिंडिका करून गौरीची पूजा करीत असे।
Sūta (deduced narrative voice)
Type: kund
Scene: The women walk together to the reservoir’s edge; the devotee is seated on a flat stone, shaping five small clay piṇḍikās; a subtle icon of Gaurī (or a small shrine) is present; the water reflects the scene like a mirror.
A tīrtha is not only geography but practiced devotion—place, rite, and deity converge to generate merit.
A jalāśaya (sacred water-body) central to Adhyāya 177’s Gaurī-pūjā narrative in the Nāgara Khaṇḍa.
Worship of Gaurī at the jalāśaya after making five clay piṇḍikās (pañca-piṇḍikā).