Indra praised as Vṛtra-slayer who accepts stotra and Soma, granting prosperity to the observant patron
अर्चन्त्यर्कं मरुतः स्वर्क्का आ स्तोभति श्रुतो युवा स इन्द्रः
arcantyarkaṃ marutaḥ svarkkā ā stobhati śruto yuvā sa indraḥ
arcantyarkaṃ1 marutaḥ svarkkā2 ā stobhati3 śruto yuvā sa indraḥ
मरुतगण सु-स्तुती करीत स्तोत्र-ऋक्चे अर्चन करतात; ‘श्रुत’ (प्रसिद्ध), युवा—तोच इंद्र स्तोभ (गान-ध्वनी)ने गायिला जातो.
arcanti | arkam | marutaḥ | su-arkāḥ | ā | stobhati | śrutaḥ | yuvā | saḥ | indraḥ
Aindra-sāman (generic; specific tune not supplied in input)
stobha (general category; specific syllables like ho, hā, i, o not provided in input)
{ "prastava": "(stobha prelude; not supplied—could be used prominently here)", "udgitha": "arcanty arkaṃ marutaḥ svarkkāḥ", "pratihara": "ā stobhati śrutaḥ", "upadrava": "yuvā sa indraḥ", "nidhana": "indraḥ (final unison cadence)", "structure_notes": "This verse naturally supports inserting explicit stobha syllables around ‘ā stobhati’; without the gāna, placement is indicative, not prescriptive.", "singer_assignments": "Prastotṛ: prastāva; Udgātṛ: udgītha+upadrava; Pratihartṛ: pratihāra; all: nidhana." }
{ "gloss_summary": "Maruts, as good-praisers, praise the hymn; Indra, renowned and youthful, is magnified by stobha—the characteristic Sāman interjectional chanting.", "ritual_interpretation": "Maruts’ praise accompanies Indra’s stotra; stobha is the musical device that intensifies the liturgical offering of sound.", "theological_insight": "Sound is sacrament: the rite’s musical ‘ornament’ is not mere decoration but an instrument of divine manifestation and fame (śruti/śruta).", "etymology_highlights": "stobha = laudatory interjection/augmentation; śruta = ‘heard’ → ‘renowned’; su-arkāḥ = ‘good hymners’." }