HomeRamayanaBala KandaSarga 34Shloka 18

Shloka 18

नैशानि सर्वभूतानि प्रचरन्ति ततस्तत:।यक्षराक्षससङ्घाश्च रौद्राश्च पिशिताशना:।।।।

naiśāni sarvabhūtāni pracaranti tatas tataḥ |

yakṣa-rākṣasa-saṅghāś ca raudrāś ca piśitāśanāḥ ||

मग रात्रिचर सर्व प्राणी इकडे-तिकडे फिरू लागले; यक्ष-राक्षसांचे टोळके आणि रौद्र, मांसभक्षकही।

naiśāninocturnal
naiśāni:
Karta (कर्ता)
TypeAdjective
Rootnaiśa (प्रातिपदिक)
Formनपुंसकलिङ्ग (neuter), प्रथमा (nominative, 1st), बहुवचन (plural); विशेषण of sarvabhūtāni
sarvabhūtāniall beings
sarvabhūtāni:
Karta (कर्ता)
TypeNoun
Rootsarva + bhūta (प्रातिपदिक)
Formनपुंसकलिङ्ग (neuter), प्रथमा (nominative, 1st), बहुवचन (plural)
pracarantimove about
pracaranti:
Kriyā (क्रिया)
TypeVerb
Rootpra-√car (धातु)
Formलट् (Present), परस्मैपदम्, प्रथमपुरुष (3rd person), बहुवचन (plural)
tatasfrom there/thereupon
tatas:
Deśa/Prakāra (देश/प्रकार)
TypeIndeclinable
Roottatas (अव्यय)
Formअव्यय (adverb)
tataḥhere and there
tataḥ:
Deśa/Prakāra (देश/प्रकार)
TypeIndeclinable
Roottataḥ (अव्यय)
Formअव्यय (adverb); पुनरुक्ति for distributive sense
yakṣa-rākṣasa-saṅghāḥgroups of Yakṣas and Rākṣasas
yakṣa-rākṣasa-saṅghāḥ:
Karta (कर्ता)
TypeNoun
Rootyakṣa + rākṣasa + saṅgha (प्रातिपदिक)
Formपुंलिङ्ग (masculine), प्रथमा (nominative, 1st), बहुवचन (plural)
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
raudrāḥfierce
raudrāḥ:
Karta (कर्ता)
TypeAdjective
Rootraudra (प्रातिपदिक)
Formपुंलिङ्ग (masculine), प्रथमा (nominative, 1st), बहुवचन (plural); विशेषण of saṅghāḥ/piśitāśanāḥ
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
piśitāśanāḥflesh-eaters
piśitāśanāḥ:
Karta (कर्ता)
TypeNoun
Rootpiśita + āśana (प्रातिपदिक)
Formपुंलिङ्ग (masculine), प्रथमा (nominative, 1st), बहुवचन (plural)

Having spoken thus the highly lustrous, great ascetic rested. All sages praised him,saying, "well-said! well-said!"

Y
Yakṣas
R
Rākṣasas

FAQs

The verse frames the night as a time when disruptive forces move about, underscoring the dharmic need for vigilance and protection of ascetic spaces from adharma.

The narration heightens the nocturnal setting by noting the movement of supernatural and dangerous beings.

Implicitly, the protector’s virtue—courage and readiness to guard dharma against predatory forces.