Shloka 71
Determination of the Householder’s Dharma
Dāna: Types, Recipients, Timing, and Fruits
धनलोभे प्रसक्तस्तु ब्राह्मण्यादेव हीयते । वेदानधीत्य सकलान्यज्ञांश्चावाप्य सर्वशः
dhanalobhe prasaktastu brāhmaṇyādeva hīyate | vedānadhītya sakalānyajñāṃścāvāpya sarvaśaḥ
धनलोभात आसक्त झालेला मनुष्य ब्राह्मण्यापासूनच च्युत होतो—जरी त्याने सर्व वेदांचे अध्ययन केले आणि सर्व प्रकारे यज्ञ केले तरीही.
Unspecified (narrative voice within Padma Purāṇa Svarga-khaṇḍa; exact dialogue frame not provided in the input)
Concept: Greed (dhanalobha) nullifies spiritual identity; learning and ritual cannot compensate for corrupted motive.
Application: Treat wealth as stewardship: set limits, practice dana without self-display, and audit motives behind religious acts (are they for prestige, gain, or service?).
Primary Rasa: karuna
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A learned brāhmaṇa sits amid palm-leaf manuscripts and a completed yajña-vedi, yet a shadowy figure of ‘lobha’ coils around his heart as gold coins spill from his hands. In the background, the sacred fire burns steady but its smoke forms a downward spiral, hinting at spiritual decline despite outward orthopraxy.","primary_figures":["brāhmaṇa householder-scholar","personified Lobha (shadowy, serpent-like aura)","Agni (yajña fire as presence)"],"setting":"A ritual courtyard with vedi, kuśa grass, ladles, and stacks of Veda manuscripts; a threshold showing the pull of marketplace wealth beyond the sacred space.","lighting_mood":"temple lamp-lit with a creeping dusk-shadow","color_palette":["saffron ochre","smoke gray","antique gold","deep maroon","ash white"],"tanjore_prompt":"Tanjore painting style: a seated brāhmaṇa before a glowing yajña fire and Veda manuscripts, gold coins and ornaments rendered with heavy gold leaf; a subtle dark aura of Lobha curling near the chest; rich vermilion backdrop, emerald borders, gem-studded jewelry details, traditional South Indian iconographic symmetry, ornate arch framing the moral allegory.","pahari_prompt":"Pahari miniature style: delicate scholar-brāhmaṇa in a quiet courtyard, thin lines and refined face; manuscripts and a small fire altar; a faint shadow-serpent of greed near the heart; cool twilight blues with warm saffron highlights; lyrical trees and distant hills suggesting the mind’s drift from dharma.","kerala_mural_prompt":"Kerala mural style: bold black outlines, flat natural pigments; brāhmaṇa with expressive eyes, yajña fire stylized; gold coins as repeating motifs; a dark curling form of Lobha contrasted against red/yellow/green palette; temple-wall aesthetic emphasizing didactic clarity.","pichwai_prompt":"Pichwai cloth painting style: central moral tableau framed by lotus and floral borders; brāhmaṇa near a small altar, coins patterned like decorative motifs; peacocks and cows at the margins as symbols of purity; deep indigo ground with gold detailing, devotional ornamentation turning the warning into a contemplative darśan scene."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["temple bells","low drone (tanpura)","crackling fire","brief silence after the warning"]}
Sandhi Resolution Notes: धनलोभे = धन-लोभे (षष्ठी-तत्पुरुष); प्रसक्तस्-तु = प्रसक्तः तु; ब्राह्मण्यादेव = ब्राह्मण्यात् एव; वेदानधीत्य = वेदान् अधीत्य; सकलान्यज्ञांश्चावाप्य = सकलान् यज्ञान् च अवाप्य.
FAQs
It teaches that greed for wealth undermines spiritual character: ritual achievement and learning are insufficient if one is dominated by lobha (greed).
Brahminhood is presented as a lived dharma and inner integrity, not merely the external credentials of Vedic study or the performance of yajñas.
No. It affirms their value but warns that they do not protect a person from moral and spiritual decline if greed becomes the ruling motive.