Shloka 52
Umā’s Austerity, Kauśikī’s Manifestation, and Skanda’s Birth Leading to Tāraka’s Defeat
ब्रह्माणमाह दैत्यस्तु निर्मृत्युत्वमहं वृणे । ब्रह्मोवाच । जातानामिह संसारे विना मृत्युं न युज्यते
brahmāṇamāha daityastu nirmṛtyutvamahaṃ vṛṇe | brahmovāca | jātānāmiha saṃsāre vinā mṛtyuṃ na yujyate
तेव्हा दैत्य ब्रह्मांना म्हणाला— “मी मृत्युरहितत्व, म्हणजे अमरत्व मागतो.” ब्रह्मदेव म्हणाले— “या संसारात जन्मलेल्या प्राण्यांना मृत्यूविना राहणे शक्य नाही.”
Daitya (requesting) and Brahmā (replying)
Concept: For embodied beings, death is intrinsic to birth; immortality cannot be granted as a worldly boon—true transcendence lies beyond embodiment.
Application: Accept impermanence; invest in practices that outlast the body—devotion, virtue, service, and remembrance of God.
Primary Rasa: shanta
Secondary Rasa: bhayanaka
Visual Art Cues: {"scene_description":"A stark dialogue tableau: the daitya, eyes blazing with desire, asks for deathlessness, while Brahmā answers with calm, unyielding truth. Behind Brahmā, a symbolic wheel of time turns—lotus petals fading into skull-like shadows—showing that birth and death are woven into saṃsāra.","primary_figures":["Brahmā","Daitya petitioner (Āḍa/Daityasiṁha)"],"setting":"Tapas-ground transformed into a symbolic cosmic court with a time-wheel motif and lotus-throne","lighting_mood":"divine radiance","color_palette":["antique gold","midnight blue","ivory white","crimson","smoky violet"],"tanjore_prompt":"Tanjore painting style: Brahmā seated on a gold-embossed lotus with radiant halo, right hand in teaching gesture; the daitya kneeling with intense expression; behind them a stylized kāla-cakra with lotus petals and subtle skull motifs, heavy gold leaf, rich reds and greens, jewel-like ornamentation.","pahari_prompt":"Pahari miniature style: intimate conversational scene with refined faces; Brahmā serene, the daitya fervent; a faint translucent time-wheel in the sky with petals drifting; cool blues and soft ivories, delicate linework and gentle shading.","kerala_mural_prompt":"Kerala mural style: frontal Brahmā with bold outlines and iconic eyes, teaching mudrā; daitya in profile with dramatic gaze; background patterned with a circular time emblem and lotus motifs, red/yellow/green pigments, temple-wall symmetry.","pichwai_prompt":"Pichwai cloth painting style: central lotus medallion with Brahmā, below a supplicant daitya; border of alternating lotus blossoms and time-wheel rosettes; deep blue cloth with gold highlights, intricate floral filigree, devotional decorative density."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"serene","sound_elements":["long silence after the refusal","soft drone (tanpura)","single bell strike","distant wind"]}
Sandhi Resolution Notes: ब्रह्माणम्+आह→ब्रह्माणमाह; दैत्यः+तु→दैत्यस्तु; निर्मृत्युत्वम्+अहम्→निर्मृत्युत्वमहं; ब्रह्मा+उवाच→ब्रह्मोवाच; जातानाम्+इह→जातानामिह; प्रायः ‘विना’ द्वितीयासह।
FAQs
Brahmā states a core saṃsāric law: anything that is born is subject to death; mortality is intrinsic to embodied existence in the world of transmigration.
Because birth implies change and decay within the created order; to be “born” is to enter a cycle governed by time, karma, and dissolution, where death is a necessary counterpart.
The verse cautions against seeking absolute power through boons and emphasizes accepting cosmic order (dharma): one should pursue liberation (mokṣa) rather than trying to override the conditions of saṃsāra.