Shloka 51
Karmas Leading to Hell and Heaven
Ethical Catalog of Destinies
एवं ते कथितं सर्वं मया तत्त्वेन पार्थिव । दुर्गतिः सद्गतिश्चैव प्राप्यते कर्मभिर्यथा
evaṃ te kathitaṃ sarvaṃ mayā tattvena pārthiva | durgatiḥ sadgatiścaiva prāpyate karmabhiryathā
हे राजन्, मी तुला तत्त्वतः सर्व काही सांगितले आहे—कर्मांप्रमाणे दुर्गती व सद्गती दोन्ही प्राप्त होतात।
Unspecified narrator/sage addressing a king (pārthiva) (context not provided in input)
Concept: Karmas (actions) are the direct causes of both durgati (bad destiny) and sadgati (good destiny).
Application: Audit daily conduct (speech, livelihood, charity, non-harm) and intentionally choose sattvic actions; treat each act as accountable and consequential.
Primary Rasa: shanta
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"A sage sits beneath a banyan at the edge of a quiet hermitage, speaking with measured certainty to a crowned king seated humbly on a kusa-mat. Behind them, a symbolic split-path motif appears: one road descends into shadow, the other rises toward a luminous temple horizon, illustrating durgati and sadgati born of action.","primary_figures":["teaching sage (ṛṣi)","king (pārthiva)"],"setting":"forest āśrama courtyard with sacrificial fire, palm-leaf manuscripts, and a distant shrine silhouette","lighting_mood":"forest dappled shifting into divine radiance on the ‘good path’","color_palette":["sandalwood beige","deep forest green","smoke gray","sunrise gold","indigo shadow"],"tanjore_prompt":"Tanjore painting style: a serene rishi instructing a jeweled king seated in humility, split-path iconography behind them (one dark, one golden), gold leaf halo around the sage’s head, rich vermilion and emerald textiles, ornate borders with lotus and conch motifs, traditional South Indian ornamentation and stylized foliage.","pahari_prompt":"Pahari miniature style: delicate rishi-king dialogue under a banyan, fine linework on faces, soft Himalayan-like hills in the distance, two winding paths painted as lyrical symbols, cool greens and muted blues with a warm golden wash on the auspicious path, refined naturalism and patterned textiles.","kerala_mural_prompt":"Kerala mural style: bold outlined sage and king in an āśrama, large expressive eyes, flat yet vibrant planes of color, a stylized bifurcating road motif (dark vs bright) behind them, temple-lamp accents, red-yellow-green dominant palette with black contours and lotus border.","pichwai_prompt":"Pichwai cloth painting style: devotional moral allegory with lotus borders, a central seated sage and king, conch-and-disc motifs subtly framing the ‘good destiny’ side, peacocks and flowering vines along the margins, deep blue ground with gold highlights and pink lotuses, intricate textile patterning."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"authoritative","sound_elements":["soft temple bells","forest birds","gentle wind in leaves","low drone (tanpura)","brief contemplative silence"]}
Sandhi Resolution Notes: सद्गतिश्चैव = सद्गतिः + च + एव; कर्मभिर्यथा = कर्मभिः + यथा
FAQs
It teaches karmic causality: one’s deeds (karma) are the determining cause for attaining either an unfortunate end (durgati) or an auspicious end (sadgati).
“Pārthiva” means “king” (a ruler of the earth). The verse is framed as instruction given to a royal listener, though the specific king is not identified from the provided excerpt.
It emphasizes personal responsibility: outcomes are not arbitrary—moral and immoral actions shape one’s future condition and spiritual trajectory.