Adhyaya 61 — The Second Manvantara Begins: The Brahmin’s Swift Journey and Varuthini’s Temptation on Himavat
वरूथिन्युवाच मौलेयाहं महाभागा नाम्ना ख्याता वरूथिनी । विचरामि सदैवात्र रमणीये महाचले ॥
varūthiny uvāca mauleyāhaṃ mahābhāgā nāmnā khyātā varūthinī / vicarāmi sadaivātra ramaṇīye mahācale
वरूथिनी म्हणाली—हे भाग्यवान! मी मौल्या आहे; वरूथिनी या नावानेही प्रसिद्ध आहे। या रम्य महापर्वतावर मी सदैव संचार करीत असते।
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Naming oneself and stating one’s sphere of movement establishes social clarity (satya/straightforwardness) before further engagement—an implicit dharmic norm within dialogue.
Ākhyāna/Upākhyāna; the ‘mahācala’ is a narrative locale rather than a systematic tīrtha/bhūgola catalogue in this excerpt.
The mountain (mahācala) often symbolizes elevated states and isolation where encounters test restraint; roaming there can imply a liminal space where ordinary rules are challenged.