शरद्वर्णनं, योगोपमा, तथा गोवर्धन-यज्ञप्रवर्तनम्
नन्दगोपस्य वचनं श्रुत्वेत्थं शक्रपूजने कोपाय त्रिदशेन्द्रस्य प्राह दामोदरस् तदा
nandagopasya vacanaṃ śrutvetthaṃ śakrapūjane kopāya tridaśendrasya prāha dāmodaras tadā
ശക്രപൂജയെക്കുറിച്ച് നന്ദഗോപൻ ഇങ്ങനെ പറഞ്ഞത് കേട്ട്, ത്രിദശേന്ദ്രന്റെ കോപം ഉയരുമെന്ന് മുൻകൂട്ടി കണ്ട ദാമോദരൻ അപ്പോൾ പറഞ്ഞു।
Sage Parāśara (narrating to Maitreya); within the scene, Dāmodara (Krishna) is about to speak
It sets the stage for a critique of ritual that is driven by fear or worldly gain, and introduces the coming confrontation that reveals Indra’s pride and Krishna’s higher spiritual authority.
Parāśara signals the narrative turning point: Krishna anticipates Indra’s anger and responds deliberately, showing that divine events unfold under the guidance of the Supreme rather than deva caprice.
Krishna is portrayed as Dāmodara—the Supreme who governs even the gods—using the episode to reorient devotion and dharma beyond subordinate celestial powers.