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Skanda Purana — Prabhasa Khanda, Shloka 34

ततश्च ऋषयो देवाः समंताद्धृष्टमानसाः । गायंतो नृत्यमानाश्च गर्जंतो हरिनामभिः

tataśca ṛṣayo devāḥ samaṃtāddhṛṣṭamānasāḥ | gāyaṃto nṛtyamānāśca garjaṃto harināmabhiḥ

അപ്പോൾ ഋഷികളും ദേവന്മാരും എല്ലാടവും ഹർഷിതചിത്തരായി, ഹരിനാമങ്ങൾ ഉച്ചത്തിൽ ഘോഷിച്ച് പാടി നൃത്തം ചെയ്തു।

ततःthen
ततः:
Adhikarana (Temporal/कालाधिकरण)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय (क्रियाविशेषण) — ‘then’
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय (समुच्चयबोधक)
ऋषयःsages
ऋषयः:
Karta (Subject/कर्ता)
TypeNoun
Rootऋषि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन
देवाःgods
देवाः:
Karta (Subject/कर्ता)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन
समन्तात्from all sides
समन्तात्:
Adhikarana (Spatial/देशाधिकरण)
TypeIndeclinable
Rootसमन्तात् (अव्यय)
Formअव्यय (देशवाचक-क्रियाविशेषण) — ‘from all sides/entirely’
हृष्ट-मानसाःdelighted-minded
हृष्ट-मानसाः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootहृष्ट (कृदन्त-प्रातिपदिक, क्त; √हृष्) + मानस (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; बहुव्रीहिः — ‘whose minds are delighted’
गायन्तःsinging
गायन्तः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootगै (धातु) → गायन्त् (कृदन्त-प्रातिपदिक, शतृ)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; शतृ-प्रत्यय — ‘singing’
नृत्यमानाःdancing
नृत्यमानाः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootनृत् (धातु) → नृत्यमान (कृदन्त-प्रातिपदिक, शानच्)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; वर्तमानकृदन्त (शानच्) — ‘dancing’
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय (समुच्चयबोधक)
गर्जन्तःroaring, shouting
गर्जन्तः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootगर्ज् (धातु) → गर्जन्त् (कृदन्त-प्रातिपदिक, शतृ)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; शतृ-प्रत्यय — ‘roaring/shouting’
हरि-नामभिःwith the names of Hari
हरि-नामभिः:
Karana (Instrument/करण)
TypeNoun
Rootहरि (प्रातिपदिक) + नामन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd), बहुवचन; षष्ठी-तत्पुरुष — ‘with the names of Hari’

Narrative voice (contextual Purāṇic narrator; specific speaker not explicit in this verse)

Tirtha: Gomatī (Dvārakā)

Type: river/ghat (tīra context)

Scene: A radiant procession of sages and devas encircling the path, singing Hari’s names, dancing in synchronized joy, with uplifted arms and swirling garments, moving toward the sacred riverbank.

Ṛṣis
D
Devas
H
Hari (Viṣṇu/Kṛṣṇa)

FAQs

Harīnāma (chanting the Lord’s names) is portrayed as a powerful, joyful form of devotion shared by sages and gods alike.

Dvārakā is the implied sacred center where the community of gods and sages celebrates Hari through nāma.

Nāma-saṅkīrtana is implied—rejoicing through singing, dancing, and proclaiming Hari’s names.