श्रुताभिलिखिता दृष्टा ह्ययोध्या मथुरापुरी । पापं हरति कल्पोत्थं द्वारका च तृतीयका
śrutābhilikhitā dṛṣṭā hyayodhyā mathurāpurī | pāpaṃ harati kalpotthaṃ dvārakā ca tṛtīyakā
അയോധ്യയും മഥുരാപുരിയും—കേട്ടാലും എഴുതിയാലും കണ്ടാലും—കൽപോത്ഭവമായ പാപം ഹരിക്കുന്നു; അവയ്ക്കു തുല്യമായ മൂന്നാമത്തെ പുണ്യപുരി ദ്വാരകയാണ്.
Unknown (within Dvārakā Māhātmya narration; likely a Purāṇic narrator addressing a listener)
Tirtha: Ayodhyā–Mathurā–Dvārakā (kṣetra-traya)
Type: kshetra
Scene: A triptych: Ayodhyā’s Sarayū ghāṭs and Rāma-temple silhouette; Mathurā’s Yamunā ghāṭs with Kṛṣṇa-līlā motifs; Dvārakā’s sea-city. A scribe writes the māhātmya while a reciter reads to devotees.
Contact with sacred places can purify at multiple levels—mental (hearing), textual (recording), and physical (seeing).
Ayodhyā and Mathurā are explicitly praised, with Dvārakā named as the third in the celebrated triad.
Śravaṇa (hearing), abhilikhana (writing/recording), and darśana (seeing) are presented as spiritually purifying practices.