तपसा केन चानीतः कया चापि शिवो ह्ययम् । काहं कोऽसौ त्वया ज्ञातो भेदबुद्ध्या ब्रवीषि मे
tapasā kena cānītaḥ kayā cāpi śivo hyayam | kāhaṃ ko'sau tvayā jñāto bhedabuddhyā bravīṣi me
ഏതു തപസ്സാൽ ഇവൻ ഇവിടെ കൊണ്ടുവന്നതായി—ആരും ഈ ശിവനെ ‘കൊണ്ടുവന്നവൻ’ എന്നു പറയുമോ? ഞാൻ ആരാണ്, അവൻ ആരാണ്, നീ ഭേദബുദ്ധിയോടെ എന്നോടു സംസാരിക്കുന്നു?
Girijā (Pārvatī/Satī)
Tirtha: Kedāra/Kedāranātha
Type: kshetra
Listener: Pilgrimage-inquirer audience (rṣi/śaunaka-style frame varies by recension)
Scene: Satī/ Pārvatī confronts Bhṛṅgī’s divisive speech; the setting evokes a Himalayan Śaiva sanctum where the question ‘who is who?’ dissolves into Śiva-tattva.
It critiques bhedabuddhi (divisive, dualistic pride) and points toward reverence grounded in right understanding of Śiva’s transcendence.
Kedāra is the narrative backdrop (Kedārakhaṇḍa), where theological instruction is embedded within tīrtha-mahātmya.
No explicit ritual is mentioned; the focus is doctrinal and ethical (proper understanding and speech).
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