इत्यादि नाममालाभिः संस्तुवन्वनमालिनम् । स्वच्छंदलीलया गायन्नृत्यंश्च परया मुदा
ityādi nāmamālābhiḥ saṃstuvanvanamālinam | svacchaṃdalīlayā gāyannṛtyaṃśca parayā mudā
ഇപ്രകാരം നാമമാലകളാൽ വനമാലിയെ സ്തുതിച്ചുകൊണ്ട്, പരമാനന്ദത്തോടെ സ്വച്ഛന്ദമായി പാടുകയും നൃത്തം ചെയ്യുകയും ചെയ്തു.
Narrator within Kāśīkhaṇḍa (deduced: Skanda narrating to Agastya)
Tirtha: Kāśī (Viśveśvara-kṣetra)
Type: kshetra
Scene: A devotee praises the Garlanded Lord with a cascade of divine names, then breaks into singing and dance—unrestrained yet sacred—radiating joy; attendants/devotees form a small kīrtana circle.
Devotion naturally flowers into joyful praise—nāma-stuti can culminate in kīrtana and dance as an offering of the whole self.
The Kāśīkhaṇḍa context points to Kāśī; the verse describes devotional behavior within that sacred narrative setting.
Implied devotional practice: chanting/praising with divine names (nāma-mālā), singing (gāna), and devotional dance (nṛtya) as acts of worship.