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Shloka 15

प्रकृतितत्त्व-विचारः / Inquiry into Prakṛti (Nature/Śakti) and Śiva’s Transcendence

प्रकृत्या गिलितोऽसि त्वं न जानासि निजं हर । निजं जानासि चेदीश किमर्थं तप्यसे तपः

prakṛtyā gilito'si tvaṃ na jānāsi nijaṃ hara | nijaṃ jānāsi cedīśa kimarthaṃ tapyase tapaḥ

ഹേ ഹരാ! നീ പ്രകൃതിയാൽ ഗ്രസിക്കപ്പെട്ടതിനാൽ നിന്റെ സ്വന്തം സ്വരൂപം അറിയുന്നില്ല. എന്നാൽ ഹേ ഈശാ! നിന്റെ യഥാർത്ഥ സ്വഭാവം നീ അറിയുന്നുവെങ്കിൽ, പിന്നെ എന്തിനാണ് തപസ്സിന്റെ ദഹനത്തിൽ ഏർപ്പെടുന്നത്?

prakṛtyāby nature
prakṛtyā:
Karana (Instrument/करण)
TypeNoun
Rootprakṛti (प्रकृति)
FormFeminine, Instrumental (3rd/तृतीया), Singular
gilitaḥswallowed
gilitaḥ:
Kartari (Subject/कर्ता)
TypeAdjective
Rootgṛ (गॄ)
FormMasculine, Nominative (1st/प्रथमा), Singular
asiyou are
asi:
Kriya (Action/क्रिया)
TypeVerb
Rootas (अस्)
FormLat (Present/लट्), Parasmaipada, 2nd Person, Singular
jānāsiyou know
jānāsi:
Kriya (Action/क्रिया)
TypeVerb
Rootjñā (ज्ञा)
FormLat (Present/लट्), Parasmaipada, 2nd Person, Singular
nijamown self
nijam:
Karma (Object/कर्म)
TypeAdjective
Rootnija (निज)
FormNeuter, Accusative (2nd/द्वितीया), Singular
haraO Hara
hara:
Sambodhana (Address/सम्बोधन)
TypeNoun
Roothara (हर)
FormMasculine, Vocative (8th/सम्बोधन), Singular
īśaO Lord
īśa:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootīśa (ईश)
FormMasculine, Vocative (8th/सम्बोधन), Singular

Parvati

Tattva Level: pasha

Shiva Form: Mahādeva

Jyotirlinga: Kedāranātha

Sthala Purana: Himalayan tapas discourse resonates with Kedāra as a place where bondage (pāśa) is confronted through discipline and Śiva’s grace; the ‘swallowed by prakṛti’ motif frames the pilgrim’s struggle against māyā.

Significance: Contemplation on māyā and ego-doership; pilgrimage supports vairāgya and surrender to Pati for release from pāśa.

Shakti Form: Pārvatī

Role: teaching

S
Shiva
P
Parvati

FAQs

The verse contrasts true Self-knowledge with bondage to Prakṛti, implying that ignorance makes one strive through tapas, while the fully realized Lord’s austerity is a divine līlā meant to teach and uplift bound souls (paśu) toward liberation.

Saguna Shiva accepts the appearance of discipline and effort so devotees can follow a tangible path—Linga worship, mantra, and vrata—moving from identification with Prakṛti toward recognition of Shiva as Pati, the liberating Lord beyond nature.

It points to tapas as inner purification: steady japa of the Pañcākṣarī (Om Namaḥ Śivāya), dhyāna on Shiva-Linga, and disciplined living; these practices loosen Prakṛti’s grip and mature devotion into liberating insight.