Mantra 2

Pavamana (generic; specific tune not supplied in input)

{ "prastava": "(stobha-led prelude; often ‘hā/ho/i’ per gāna tradition)", "udgitha": "abhi priyāṇi kāvyā viśvā cakṣāṇo arṣati", "pratihara": "hariḥ stuñjānaḥ", "upadrava": "āyudhā (extended with gāna-prolation as needed)", "nidhana": "(cadential stobha closure per Kauthuma prayoga)", "structure_notes": "Because the input lacks the full gāna text, segmentation is indicative: Kauthuma practice frequently places key epithets (hariḥ) in responsorial positions and lengthens final words for nidhana cadence.", "singer_assignments": "Prastotṛ: prastāva; Udgātṛ: udgītha+upadrava; Pratihartṛ: pratihāra; all: nidhana (with supporting hum/antiphony as per śākhā)." }

{ "gloss_summary": "Hari is Soma in his golden purified aspect; cakṣāṇaḥ indicates ‘seeing/considering’ the प्रिय and kāvya कर्म; tuñjānaḥ refers to being impelled by pressing/straining; āyudhā are ritual instruments, not weapons.", "ritual_interpretation": "Soma, driven by adri (pressing stones) and guided through pavitra, flows toward the sacrificial acts and recipients; the verse validates the correctness of rite as making Soma ‘move’ toward offering.", "theological_insight": "Divinity is accessed through purification and proper means: Soma becomes a conscious agent that ‘beholds’ and responds to ṛta-aligned action.", "etymology_highlights": "hari—golden; tuñj—impel/press; āyudha—instrument/means (upakaraṇa) in yajña-context." }