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Shloka 49

Pṛthu’s Earth-Milking, the Etymology of ‘Pṛthivī,’ and the Vaivasvata (Solar) Genealogy

बालभावान्मया किंचिदुद्यतश्चरणः सकृत् । मनुना वार्यमाणापि मम शापमदाद्विभो

bālabhāvānmayā kiṃcidudyataścaraṇaḥ sakṛt | manunā vāryamāṇāpi mama śāpamadādvibho

ബാല്യഭാവത്തിൽ ഞാൻ ഒരിക്കൽ അല്പം പാദം ഉയർത്തി. മനു തടഞ്ഞിട്ടും, ഹേ പ്രഭോ, അവൻ എനിക്ക് ശാപം നൽകി.

बालभावात्due to childishness
बालभावात्:
Hetu (Cause/हेतु)
TypeNoun
Rootबालभाव (प्रातिपदिक; बाल + भाव)
Formपुंलिङ्ग, पञ्चमी (5th case), एकवचन; हेत्वर्थ (cause)
मयाby me
मया:
Kartr (Agent/कर्ता)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd case), एकवचन
किंचित्a little; somewhat
किंचित्:
Sambandha (Modifier/सम्बन्ध)
TypeIndeclinable
Rootकिंचित् (सर्वनाम/अव्ययवत्)
Formपरिमाण/अल्पत्ववाचक-अव्यय (indefinite particle)
उद्यतःraised; lifted
उद्यतः:
Karta (Subject-qualifier/कर्ता-विशेषण)
TypeAdjective
Rootउद् + यत (कृदन्त; यत् धातु/यम् धातु-सम्भव)
Formभूतकृदन्त (क्त), पुंलिङ्ग, प्रथमा (1st case), एकवचन; विशेषण (of चरणः)
चरणःfoot
चरणः:
Karta (Subject/कर्ता)
TypeNoun
Rootचरण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st case), एकवचन
सकृत्once
सकृत्:
Adhikarana (Time/अधिकरण)
TypeIndeclinable
Rootसकृत् (अव्यय)
Formकाल/आवृत्तिवाचक-अव्यय (adverb: once)
मनुनाby Manu
मनुना:
Karana (Instrument/करण)
TypeNoun
Rootमनु (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd case), एकवचन
वार्यमाणाbeing restrained; being prevented
वार्यमाणा:
Karta (Subject-qualifier/कर्ता-विशेषण)
TypeAdjective
Rootवृ (धातु) → वार्यमाण (कृदन्त)
Formवर्तमानकृदन्त (शानच्/मान), स्त्रीलिङ्ग, प्रथमा (1st case), एकवचन; कर्मणि/आत्मनेपद-भावः; विशेषण (of छाया understood)
अपिeven though
अपि:
Sambandha (Particle/सम्बन्ध)
TypeIndeclinable
Rootअपि (अव्यय)
Formसम्भावना/अपवाद/समुच्चयार्थक-अव्यय (particle: even/though)
ममmy
मम:
Sambandha (Genitive relation/सम्बन्ध)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th case), एकवचन
शापम्curse
शापम्:
Karma (Object/कर्म)
TypeNoun
Rootशाप (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd case), एकवचन
अदात्gave; uttered (a curse)
अदात्:
Kriya (Action/क्रिया)
TypeVerb
Rootदा (धातु)
Formलुङ् (Aorist/Imperfective past), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद
विभोO mighty one
विभो:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootविभु (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन (Vocative), एकवचन

Unclear from provided single-verse context (likely a narrator recounting an incident to a deity addressed as 'vibho')

Concept: Acknowledging one’s immaturity and partial fault is the beginning of dharmic repair; intent and proportion matter in judgment.

Application: Own your mistakes without defensiveness; seek proportional resolution rather than escalating blame.

Primary Rasa: karuna

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A contrite figure (Yama or the reporting speaker) gestures toward his slightly raised foot, illustrating the ‘small’ childish act that sparked a grave chain of events. Manu appears in the background with a restraining hand, while the addressed ‘Vibhu’ is suggested as a luminous presence—an authority beyond the quarrel.","primary_figures":["Yama (or the reporting speaker)","Manu","Vibhu (implied higher authority presence)"],"setting":"a quiet tribunal-like space with a luminous focal point suggesting divine oversight","lighting_mood":"soft, judgment-hall glow with a calm central radiance","color_palette":["soft amber","pale ivory","deep blue","muted maroon","silver grey"],"tanjore_prompt":"Tanjore painting style: central contrite figure indicating the lifted foot, Manu behind in a restraining gesture; a radiant ‘Vibhu’ aura or throne-like light at the top center; gold leaf rays, rich reds/greens, ornate borders, symbolic lotus and dharma motifs.","pahari_prompt":"Pahari miniature style: gentle narrative clarity—foreground confession, background Manu’s restraint; cool blues and warm amber highlights; refined faces, minimal architecture, a soft haloed light suggesting the unseen Lord/authority.","kerala_mural_prompt":"Kerala mural style: bold outlines, didactic composition with clear gestures; warm yellow-red palette; Vibhu indicated by a stylized radiant mandala; emphasis on moral instruction through posture and eye expression.","pichwai_prompt":"Pichwai cloth painting style: confession scene framed by floral borders; deep blue ground with gold; lotus-vines curling toward a central radiant disc (Vibhu); small narrative figures arranged in balanced symmetry, intricate textile patterns."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["tanpura drone","soft bells","silence","gentle wind"]}

Sandhi Resolution Notes: बालभावात् + मया → बालभावान्मया; किंचित् + उद्यतः + चरणः → किंचिदुद्यतश्चरणः; शापम् + अदात् → शापमदात्.

M
Manu

FAQs

It depicts how a moment of childish behavior led to a consequential curse, underscoring moral causality and the seriousness of restraint in dharmic narratives.

Manu is a paradigmatic lawgiver and progenitor figure in Purāṇic tradition; his cursing functions as a narrative mechanism showing that even small misconduct can produce lasting karmic outcomes.

It highlights self-control (especially over impulsive actions) and suggests that authority figures may enforce dharma even when one’s wrongdoing is framed as childish or minor.