Shloka 35
Praise of the Merits of Sacred Ponds, Tree-Planting, and Water-Charities
आश्रिता विहगाः कीटाः पतगाः शलभादयः । छायाश्रिताश्च ये सत्वास्तत्संख्याताः पृथग्जनाः
āśritā vihagāḥ kīṭāḥ patagāḥ śalabhādayaḥ | chāyāśritāśca ye satvāstatsaṃkhyātāḥ pṛthagjanāḥ
അവിടെ ആശ്രയിക്കുന്ന പക്ഷികൾ, കീടങ്ങൾ, പതംഗങ്ങൾ, വെട്ടുക്കിളി മുതലായവയും, അതിന്റെ നിഴലിൽ വസിക്കുന്ന ഏതു സത്ത്വങ്ങളും—അവയെല്ലാം അതേ എണ്ണത്തിൽ വേറേവേറെ ജീവികളായി കണക്കാക്കപ്പെടുന്നു।
Unspecified (context-dependent within Adhyaya 58; not determinable from the single verse alone)
Concept: Offering shelter (āśraya) to living beings—through trees, shade, and habitat—is a counted merit proportional to the number of lives benefited.
Application: Create bird-friendly and pollinator-friendly spaces; avoid harming insects unnecessarily; preserve tree cover; treat ‘shade’ as a form of dāna.
Primary Rasa: shanta
Secondary Rasa: karuna
Type: forest
Visual Art Cues: {"scene_description":"Under a vast mango canopy, parrots, mynas, bees, butterflies, and tiny insects cluster in a living tapestry. In the cool shade, small animals rest while sunbeams filter through leaves like blessings, suggesting each sheltered creature as a distinct soul counted by dharma.","primary_figures":["mango tree (āmra)","birds (vihaga)","insects (kīṭa)","winged swarms (pataṅga/śalabha)","shade-dwelling creatures"],"setting":"dense orchard shade with layered foliage, nests, and a carpet of fallen blossoms","lighting_mood":"forest dappled","color_palette":["deep jade","dappled amber","bark umber","wing iridescence teal","flower cream"],"tanjore_prompt":"Tanjore painting style: a central mango tree rendered iconically, each bird and insect arranged in ornamental symmetry; gold leaf highlights on sunbeams and fruit, rich red-green borders, stylized nests and floral motifs, devotional stillness despite abundant life.","pahari_prompt":"Pahari miniature style: intimate close-up of the canopy with delicate insects and birds, fine linework for wings, soft shadow pools beneath; cool greens with warm highlights, lyrical naturalism and gentle movement in the leaves.","kerala_mural_prompt":"Kerala mural style: creatures depicted in rhythmic patterns under a bold-outlined canopy; flat greens and yellows, stylized eyes on birds, decorative registers showing shade-dwellers as a sacred census of life.","pichwai_prompt":"Pichwai cloth painting style: intricate floral border framing a mango grove, repeated motifs of birds and bees like a devotional pattern; deep blue ground with gold detailing, lotus and creeper designs merging orchard and temple aesthetics."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["leaf rustle","bee hum","bird calls","soft silence between phrases"]}
Sandhi Resolution Notes: छायाश्रिताश्च = छाया-आश्रिताः + च; तत्संख्याताः = तत्-संख्याताः; पृथग्जनाः = पृथक्-जनाः
FAQs
It describes how various creatures—birds, insects, and other winged beings—along with those living in the shade, are all accounted for individually, emphasizing enumeration and distinctness among living beings.
No. In this isolated verse, no tirtha or deity is named; it focuses on categories of beings and their being counted as distinct individuals.
It highlights individuality among living beings—each creature is treated as a distinct unit—supporting a cosmological or karmic framework where beings are enumerated and considered separately.