The Five Great Sacrifices: Supremacy of Honoring Parents, Pativrata Dharma, Truthfulness, and Śrāddha
कामाल्लोभात्तथाक्रोधान्नित्यं सत्त्वेषु जायते । संसारबंधकः कामो ह्यकामो न क्वचिद्भवेत्
kāmāllobhāttathākrodhānnityaṃ sattveṣu jāyate | saṃsārabaṃdhakaḥ kāmo hyakāmo na kvacidbhavet
കാമം, ലോഭം, അതുപോലെ ക്രോധം എന്നിവയിൽ നിന്നു ഇത് ജീവികളിൽ നിത്യം ഉദ്ഭവിക്കുന്നു. കാമം തന്നെയാണ് സംസാരബന്ധം; ലോകത്തിൽ അകാമത എവിടെയും കാണപ്പെടുന്നില്ല.
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Concept: Kāma—fed by lobha and krodha—functions as the binding rope of saṃsāra; in worldly existence, desire continually reappears.
Application: Track the chain: desire → greed → anger; interrupt it with remembrance of Vāsudeva, regulated vows (vrata), and sattvic habits (truthfulness, moderation, charity).
Primary Rasa: karuna
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A human heart-lotus is shown bound by three serpentine cords labeled kāma, lobha, and krodha, tightening into a wheel of rebirth. Above the wheel, a faint, serene form of Nārāyaṇa appears like a refuge, suggesting that bondage is real yet escapable through higher orientation.","primary_figures":["Symbolic Jīva (human figure)","Personified Kāma","Personified Lobha","Personified Krodha","Vāsudeva/Nārāyaṇa (subtle, upper register)"],"setting":"Allegorical inner landscape: a mandala of saṃsāra with a revolving chakra, set against a twilight cosmic background.","lighting_mood":"twilight with a serene upper glow","color_palette":["deep maroon","burnt orange","midnight blue","pale gold","smoke white"],"tanjore_prompt":"Tanjore painting style: central heart-lotus bound by three embossed serpent-cords (kāma-lobha-krodha), saṃsāra-chakra beneath with miniature life-scenes; Nārāyaṇa above with radiant gold leaf halo, rich reds and greens, jewel-like ornaments, ornate arch frame.","pahari_prompt":"Pahari miniature style: delicate allegory—small figure caught in a turning wheel, three colored ribbons tightening; soft mountainous clouds and a calm Vishnu-form above; cool blues with warm saffron accents, refined facial features, lyrical negative space.","kerala_mural_prompt":"Kerala mural style: bold outlines, flat pigments; dramatic saṃsāra wheel with stylized flames; three thick bands labeled in Devanāgarī; Vishnu in upper corner with conch and discus, large eyes, dominant red/yellow/green palette.","pichwai_prompt":"Pichwai cloth painting style: circular saṃsāra mandala like a floral wheel; three vine-like cords entwining; upper border filled with lotus and tulasi motifs hinting bhakti; deep indigo ground, gold highlights, intricate symmetrical borders."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["single bell strokes","low mridang pulse","wind-like hush","brief conch at cadence"]}
Sandhi Resolution Notes: kāmāl = kāmāt; lobhāt; tathākrodhān = tathā + krodhāt; hyakāmo = hi + akāmaḥ; kvacidbhavet = kvacit + bhavet.
No. This verse is ethical-philosophical, describing how desire (kāma) arises from greed and anger and how it binds beings to saṃsāra.
Indirectly: it frames kāma as a source of bondage, implying the need to redirect desire away from sense-objects and toward disciplined spiritual life—often expressed in bhakti traditions as transforming desire into devotion for the Divine.
Guard against the chain of kāma–lobha–krodha: desire, greed, and anger reinforce each other and keep one bound to worldly cycles; restraint and inner discipline are implied as remedies.