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Shloka 4

Right Conduct, Offenses Against Brāhmaṇas, Truthfulness, and the Greatness of the Cow

Go-Māhātmya

गायत्र्याश्च जपैर्होमैर्व्रतैश्चांद्रायणदिभिः । स्मर नित्यं हरेः पादमुपोष्य हरिवासरम्

gāyatryāśca japairhomairvrataiścāṃdrāyaṇadibhiḥ | smara nityaṃ hareḥ pādamupoṣya harivāsaram

ഗായത്രിജപം, ജപം, ഹോമം, ചാന്ദ്രായണാദി വ്രതങ്ങളാൽ—ഹരിവാസരത്തിൽ ഉപവസിച്ച്—നിത്യം ഹരിയുടെ പാദങ്ങൾ സ്മരിക്ക।

गायत्र्याःof Gāyatrī (mantra)
गायत्र्याः:
Sambandha (Genitive relation/षष्ठी)
TypeNoun
Rootगायत्री (प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी-विभक्ति (6th/Genitive), एकवचन
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-अव्यय (and)
जपैःby recitations
जपैः:
Karana (Instrument/करण)
TypeNoun
Rootजप (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), बहुवचन
होमैःby fire-offerings
होमैः:
Karana (Instrument/करण)
TypeNoun
Rootहोम (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), बहुवचन
व्रतैःby vows/observances
व्रतैः:
Karana (Instrument/करण)
TypeNoun
Rootव्रत (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), बहुवचन
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-अव्यय (and)
आन्द्रायणादिभिःby Cāndrāyaṇa and other (penances)
आन्द्रायणादिभिः:
Karana (Instrument/करण)
TypeNoun
Rootआन्द्रायण (प्रातिपदिक) + आदि (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), बहुवचन; तत्पुरुषः (आन्द्रायणं च आदि च येषां तैः)
स्मरremember
स्मर:
Kriya (Action/क्रिया)
TypeVerb
Rootस्मृ (धातु)
Formलोट् (Imperative), मध्यमपुरुष (2nd person), एकवचन; परस्मैपद
नित्यम्always
नित्यम्:
Kriya-visheshana (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootनित्य (प्रातिपदिक)
Formअव्ययवत् क्रियाविशेषणम् (always/constantly)
हरेःof Hari (Viṣṇu)
हरेः:
Sambandha (Genitive relation/षष्ठी)
TypeNoun
Rootहरि (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति (6th/Genitive), एकवचन
पादम्foot
पादम्:
Karma (Object/कर्म)
TypeNoun
Rootपाद (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन
उपोष्यhaving fasted
उपोष्य:
Purvakala-kriya (Prior action/पूर्वकालक्रिया)
TypeVerb
Rootउप+वस् (धातु)
Formल्यप्-अव्यय (gerund in -ya); पूर्वकालिक-क्रिया (having fasted)
हरिवासरम्Hari’s day (a Viṣṇu sacred day)
हरिवासरम्:
Karma (Object/कर्म)
TypeNoun
Rootहरि (प्रातिपदिक) + वासर (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन; तत्पुरुषः (हरेः वासरः)

Unspecified in the provided excerpt (context needed from surrounding verses to confirm the dialogue pair).

Concept: Integrate Vedic practice (Gāyatrī-japa, homa) with Vaishnava bhakti (Hari-pāda-smaraṇa) and fasting on Hari’s day for purification and spiritual ascent.

Application: Keep a daily japa discipline, add periodic homa/offerings as feasible, and observe a weekly/fortnightly fast dedicated to Vishnu with focused remembrance.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A disciplined devotee sits before a small sacred fire, counting japa beads while the Gāyatrī is softly recited; offerings of ghee rise as fragrant smoke. In the background, a Vishnu shrine glows, and the devotee’s mind is visually suggested as resting at Hari’s feet, symbolized by lotus footprints.","primary_figures":["devotee (dvija)","Vishnu (as shrine icon or subtle vision)"],"setting":"āśrama courtyard with homa-kuṇḍa, japa-mālā, ladle, and a small Vishnu altar with lamps","lighting_mood":"temple lamp-lit","color_palette":["saffron","ghee-gold","indigo","lotus pink","ash white"],"tanjore_prompt":"Tanjore painting style: central homa scene with a dvija performing japa and offering ghee; Vishnu icon in a side shrine with gold leaf halo, ornate arch (prabhāmaṇḍala), rich reds/greens, gem-like detailing on vessels; lotus footprints of Hari rendered in gold as the focal devotional symbol.","pahari_prompt":"Pahari miniature style: intimate courtyard ritual—soft flames, delicate smoke curls, devotee with mālā; a small Vishnu shrine under a canopy; cool indigo shadows and warm saffron highlights; refined facial expressions conveying steady remembrance.","kerala_mural_prompt":"Kerala mural style: stylized homa fire and ritual implements; devotee in profile with bold outlines; Vishnu shrine with characteristic large eyes and symmetrical ornament; red-yellow-green palette, rhythmic decorative borders suggesting mantra cadence.","pichwai_prompt":"Pichwai cloth painting style: Vishnu-centered devotional composition—Hari’s lotus feet motif at center, surrounded by floral borders and lamp motifs; a small ritual vignette of japa and homa below; deep blues and gold, intricate lotuses and creepers echoing continuous smaraṇa."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["homa fire crackle","temple bells","soft conch in distance","mālā bead clicks","low drone (tanpura)"]}

Sandhi Resolution Notes: जपैः+होमैः → जपैर्होमैः (विसर्गसन्धि: ः + ह् = र्ह्); व्रतैः+च → व्रतैश्च (ः + च = श्च); च+आन्द्रायणादिभिः → चांद्रायणादिभिः (अ + आ = आ; लेख्यरूपे चां-); पादम्+उपोष्य → पादमुपोष्य (म् + उ)

G
Gayatri
H
Hari (Vishnu)

FAQs

It places constant remembrance of Hari’s lotus-feet at the center, presenting ritual acts (japa, homa, vows) as supports for sustained devotion and mindful worship.

It recommends disciplined spiritual practice—regular mantra-recitation, sacrificial offerings, and vows—combined with self-restraint (fasting) and continual God-remembrance.

It treats Cāndrāyaṇa and similar austerities as recognized means of purification, but frames them alongside (and ultimately oriented toward) devotion to Hari.