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Shloka 81

Brahmin Conduct, Purificatory Baths, and the Garuḍa–Nectar Episode

Illustrative Narrative

आधारतां न गच्छंति नगाश्च मंदरादयः । ततो योजनलक्षे द्वे गत्वा मारुतरंहसा

ādhāratāṃ na gacchaṃti nagāśca maṃdarādayaḥ | tato yojanalakṣe dve gatvā mārutaraṃhasā

മന്ദരാദി പർവതങ്ങളും ആധാരതലം വരെ എത്തുന്നില്ല. അവിടെ നിന്ന് കാറ്റിന്റെ വേഗത്തിൽ രണ്ട് ലക്ഷം യോജന ദൂരം ചെന്നാൽ അടുത്ത പ്രദേശം പ്രാപ്യമാകുന്നു.

आधारताम्support / steadiness (as support)
आधारताम्:
Karman (Object/कर्म)
TypeNoun
Rootआधारता (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (accusative), एकवचन; भाववाचक (state/condition)
not
:
Pratiṣedha (Negation/निषेध)
TypeIndeclinable
Rootन (अव्यय)
Formअव्यय (निषेध/negation particle)
गच्छन्तिgo / attain
गच्छन्ति:
Kriya (Predicate/क्रिया)
TypeVerb
Rootगम् (धातु)
Formलट् (Present), प्रथमपुरुष, बहुवचन, परस्मैपद
नगाःmountains
नगाः:
Karta (Subject/कर्ता)
TypeNoun
Rootनग (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
and
:
Samuccaya (Conjunction/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय (समुच्चय)
मन्दरादयःMandara and others
मन्दरादयः:
Karta (Subject/कर्ता)
TypeNoun
Rootमन्दर (प्रातिपदिक) + आदि (प्रातिपदिक)
Formतत्पुरुष (आदि-समास/‘Mandara etc.’), पुंलिङ्ग, प्रथमा, बहुवचन
ततःfrom there / then
ततः:
Apādāna (Source/starting point/अपादान)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय (तसिल्/ablatival adverb)
योजनलक्षेtwo lakhs of yojanas (distance)
योजनलक्षे:
Karman (Extent/measure as object)
TypeNoun
Rootयोजन (प्रातिपदिक) + लक्ष (प्रातिपदिक)
Formद्विगु-समास (measure-unit compound), नपुंसकलिङ्ग, द्वितीया/प्रथमा, द्विवचनरूपेण ‘द्वे’ इति विशेष्य; here सप्तमी/द्वितीया?—प्रयोगतः ‘गत्वा’ सह गन्तव्यपरिमाणे द्वितीया (accusative of extent) द्विवचन-रूपम्
द्वेtwo
द्वे:
Visheshana (Numeral qualifier/विशेषण)
TypeAdjective
Rootद्वि (संख्या/प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, द्विवचन; संख्याविशेषणम्
गत्वाhaving gone
गत्वा:
Purvakāla (Prior action/पूर्वकाल)
TypeVerb
Rootगम् (धातु)
Formक्त्वान्त (absolutive/gerund), अव्ययभाव
मारुतरंहसाwith the speed of the wind
मारुतरंहसा:
Karaṇa (Instrument/manner/करण)
TypeNoun
Rootमारुत (प्रातिपदिक) + रंहस् (प्रातिपदिक)
Formतत्पुरुष (मारुतस्य रंहसा ‘with wind-speed’), नपुंसकलिङ्ग/पुंलिङ्ग?—रंहस् नपुंसकलिङ्ग; तृतीया (instrumental), एकवचन

Unspecified (narrative voice within Sṛṣṭikhaṇḍa; exact dialogue pair not provided in the input).

Concept: The cosmos is layered and immeasurable; human pride in ‘greatness’ is relativized by larger structures.

Application: Practice humility; remember that visible achievements are small within a larger order—act with reverence and perspective.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: mountain

Visual Art Cues: {"scene_description":"A sweeping cross-section of the universe shows Mandara and other mountains suspended above an unseen foundational base, emphasizing a vast gap below. A translucent wind-current ribbon marks a journey of ‘two lakhs of yojanas,’ curving into the next region like a cosmic pathway.","primary_figures":["Mandara mountain (personified or monumental)","cosmic winds (Marut-like currents)"],"setting":"Mythic cosmographic diagram rendered as a living landscape: floating mountains, layered skies, and a hinted ‘support’ far beneath.","lighting_mood":"cool cosmic twilight with subtle astral glow","color_palette":["deep ultramarine","mist silver","jade green","sandstone ochre","amethyst violet"],"tanjore_prompt":"Tanjore painting style: a stylized cosmic tableau with Mandara and companion mountains rendered as jeweled, tiered forms; gold leaf outlining strata and distance markers; ornate cloud bands and a luminous ‘adhāra’ line below; rich reds/greens with embossed gold to convey sacred geometry.","pahari_prompt":"Pahari miniature style: delicate layered horizons and floating mountain ridges; fine ink lines indicating yojana-distance bands; soft washes of blue and violet; lyrical clouds and a gentle wind-path motif, refined naturalism meeting cosmographic imagination.","kerala_mural_prompt":"Kerala mural style: bold contour lines for mountains and strata; flat color fields with rhythmic cloud scrolls; symbolic ‘support base’ as a dark band; dominant blue background with red/yellow/green mountain accents and decorative distance motifs.","pichwai_prompt":"Pichwai cloth painting style: symmetrical cosmic landscape with ornate borders; stylized mountains like temple-shikharas; lotus and cloud motifs framing a central wind-path; deep blue ground with gold highlights and intricate floral filigree."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["soft wind","tanpura drone","distant temple bell","silence between phrases"]}

Sandhi Resolution Notes: गच्छंति = गच्छन्ति; नगाश्च = नगाः + च; मंदरादयः = मन्दर + आदयः;

M
Mandara

FAQs

It presents a cosmographic claim: even great mountains like Mandara do not extend to the ultimate “supporting base,” and it describes a vast intervening distance measured in lakhs of yojanas.

It literally means “two lakhs of yojanas,” i.e., an immense distance expressed in traditional Purāṇic units (yojana being a classical measure of length).

Not directly; it is primarily descriptive cosmography. Indirectly, such passages frame the vastness and ordered structure of creation, encouraging reverence toward the cosmic order described by the Purāṇas.