Shloka 20
Narration of the Greatness of Harivāsara
Ekādaśī, the Day Sacred to Hari
न भोक्तव्यं न भोक्तव्यं न भोक्तव्यं हरेर्दिने । गंगादिषु च तीर्थेषु स्नात्वा यत्फलमाप्यते
na bhoktavyaṃ na bhoktavyaṃ na bhoktavyaṃ harerdine | gaṃgādiṣu ca tīrtheṣu snātvā yatphalamāpyate
ഹരിദിനത്തിൽ ഭോജനം ചെയ്യരുത്, ചെയ്യരുത്, ചെയ്യരുത്. ഗംഗാദി തീർത്ഥങ്ങളിൽ സ്നാനം ചെയ്താൽ ലഭിക്കുന്ന ഫലം ഏതോ, അതേ ഫലം (ഇതിലൂടെ) ലഭിക്കും.
Unspecified in the provided excerpt (context needed from surrounding verses to identify the dialogue frame, e.g., Pulastya–Bhīṣma).
Concept: On Hari’s day (Ekādaśī implied), abstaining from eating yields merit comparable to bathing at great tīrthas like the Gaṅgā.
Application: Observe Ekādaśī with food restraint according to capacity; replace consumption with japa, kīrtana, and charity; treat the day as a living tīrtha at home.
Primary Rasa: shanta
Secondary Rasa: bhayanaka
Type: river
Visual Art Cues: {"scene_description":"A devotee stands at dawn beside the Gaṅgā, hands folded, yet the river’s reflection transforms into a luminous Ekādaśī calendar-mark and a Viṣṇu footprint on the water—signaling that fasting on Hari’s day equals the river’s purifying bath. Nearby, a simple leaf-plate remains untouched, emphasizing restraint as worship.","primary_figures":["Ekādaśī-vrata devotee","symbolic Viṣṇu (footprints or faint four-armed form)","river pilgrims (background)"],"setting":"Gaṅgā riverbank with stone ghats, small shrines, and a distant temple bell tower; early morning ritual activity subdued.","lighting_mood":"golden dawn with mist over water","color_palette":["river-silver","sunrise gold","sandalwood beige","peacock blue","vermillion"],"tanjore_prompt":"Tanjore painting style: Gaṅgā ghat at sunrise, devotee in añjali-mudrā refusing food, shimmering Viṣṇu footprints on the river, ornate shrine elements; gold leaf on water highlights, rich reds/greens, jewel-toned ornaments, traditional South Indian devotional framing.","pahari_prompt":"Pahari miniature style: misty riverbank with delicate ghats, a lone devotee fasting, subtle icon of Viṣṇu in the river’s reflection, soft pastel dawn; cool blues and warm golds, lyrical birds, refined facial expressions of restraint.","kerala_mural_prompt":"Kerala mural style: stylized Gaṅgā waves, devotee with bold outlines, symbolic Viṣṇu-padma/footprint motif on water, temple lamp motifs; earthy reds/yellows/greens, rhythmic patterning of ripples and borders.","pichwai_prompt":"Pichwai cloth painting style: central medallion of Gaṅgā with lotus clusters, border of tulasi and lotuses, devotee observing Ekādaśī, small Viṣṇu emblem above; deep indigo background, gold detailing, intricate floral borders, devotional symmetry."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["flowing water","soft temple bells","distant conch","morning birds"]}
Sandhi Resolution Notes: harerdine = hareḥ + dine; gaṃgādiṣu = gaṃgā + ādiṣu; yatphalam = yat + phalam.
FAQs
“Hari’s day” commonly refers to a day specially dedicated to Viṣṇu—most notably Ekādaśī—on which fasting or strict dietary restraint is prescribed in many Purāṇic and Vaiṣṇava traditions.
It states that abstaining from eating on Hari’s sacred day yields the same kind of religious “fruit” (merit/benefit) as bathing at renowned pilgrimage waters such as the Gaṅgā.
The verse emphasizes self-restraint (niyama) and devotional observance (vrata): controlling appetite on a Viṣṇu-dedicated day is presented as a powerful, accessible spiritual practice comparable to undertaking pilgrimage.