Padma Purana — Bhumi Khanda, Shloka 26
Sukalā’s Episode: Padmāvatī’s Crisis, the Speaking Embryo (Kālanemi), and Sudevā’s Begging at Śivaśarmā’s House
दशाब्दाश्च गता यावत्तावद्वृद्धिमवाप्तवान् । पश्चाज्जज्ञे महातेजाः कंसोभूत्स महाबलः
daśābdāśca gatā yāvattāvadvṛddhimavāptavān | paścājjajñe mahātejāḥ kaṃsobhūtsa mahābalaḥ
പത്ത് വർഷങ്ങൾ കഴിഞ്ഞപ്പോൾ അവൻ പരിപാക്വത പ്രാപിച്ചു; തുടർന്ന് മഹാതേജസ്സും മഹാബലവും ഉള്ള കംസൻ ജനിച്ചു.
Unspecified narrator (Purāṇic narration; exact dialogue-frame not supplied in the input)
Concept: Time matures latent tendencies; brilliance (tejas) and strength (bala) are morally neutral and become auspicious or disastrous depending on alignment with dharma.
Application: Cultivate character alongside capability; do not equate talent or power with virtue.
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
Type: city
Visual Art Cues: {"scene_description":"A decade passes in a montage-like vision—seasons turning over palace rooftops—until the birth chamber flares with an unsettling radiance. The newborn Kaṃsa is shown with a fierce, unnatural tejas in his eyes, attendants recoiling as auspicious drums falter into uneasy silence.","primary_figures":["Kaṃsa (newborn/infant with radiant tejas)","Mother (unnamed)","Midwives/attendants (implied)"],"setting":"Royal birth chamber with carved pillars, silk hangings, ritual vessels, and anxious attendants","lighting_mood":"golden dawn","color_palette":["sun-gold","royal purple","lac red","pearl white","charcoal black"],"tanjore_prompt":"Tanjore painting style: royal birth chamber with ornate pillars and textiles; infant Kaṃsa depicted with a sharp radiant aura; attendants in rich garments show startled gestures; gold leaf used for aura, jewelry, and architectural highlights; lotus and conch border motifs, saturated reds/greens with regal detailing.","pahari_prompt":"Pahari miniature style: refined palace interior with delicate patterns; a soft dawn light enters as the infant’s aura contrasts with the calm setting; attendants’ subtle expressions convey foreboding; cool pastels with saffron highlights, fine facial features, lyrical seasonal motifs in margins to suggest ten years passing.","kerala_mural_prompt":"Kerala mural style: stylized birth scene with bold outlines; infant Kaṃsa centered with circular aura, mother reclining, attendants symmetrically placed; strong reds and yellows with green accents, temple-wall composition, ornamental borders and patterned textiles.","pichwai_prompt":"Pichwai cloth painting style: central medallion of the birth chamber framed by lotus vines; surrounding border panels show the turning of seasons (ten-year passage) with stylized trees and clouds; deep blue background with gold floral work, intricate textile patterns, narrative vignettes around the edges."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["muffled palace drums","sudden hush","soft conch in distance","whispering attendants"]}
Sandhi Resolution Notes: दशाब्दाः = दश + अब्दाः; दशाब्दाश्च = दशाब्दाः + च; तावद्वृद्धिमवाप्तवान् = तावत् + वृद्धिम् + अवाप्तवान्; पश्चाज्जज्ञे = पश्चात् + जज्ञे; कंसोभूत् = कंसः + अभूत्; अभूत्स = अभूत् + सः
FAQs
Kaṃsa is a prominent figure in the Kṛṣṇa narrative tradition, remembered as a powerful ruler closely associated with the events leading to Kṛṣṇa’s appearance and early exploits.
It marks a time transition—after ten years and the attainment of maturity, the text notes the birth of Kaṃsa, emphasizing his brilliance and great strength.
Not directly; it functions primarily as narrative chronology and characterization, preparing the storyline by highlighting Kaṃsa’s formidable nature.