The Greatness of Puruṣottama
Aṣṭākṣarī Maṇḍala-Pūjā and Nyāsa
प्रद्युम्नं पश्चिमे कुर्यादनिरुद्धं तथोत्तरे । वाराहं च तथाग्रेये नरसिंहं च नैर्ऋते ॥ ४० ॥
pradyumnaṃ paścime kuryādaniruddhaṃ tathottare | vārāhaṃ ca tathāgreye narasiṃhaṃ ca nairṛte || 40 ||
പടിഞ്ഞാറ് ഭാഗത്ത് പ്രദ്യുമ്നനെയും, വടക്ക് ഭാഗത്ത് അനിരുദ്ധനെയും സ്ഥാപിക്കണം. കൂടാതെ വടക്കുകിഴക്കിൽ വരാഹനെയും, തെക്കുപടിഞ്ഞാറിൽ നരസിംഹനെയും സ്ഥാപിക്കണം.
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches dik-vinyāsa—placing specific forms of Viṣṇu in prescribed directions—so worship becomes orderly, symbolically complete, and aligned with sacred space (kṣetra) principles.
Bhakti here is expressed as disciplined, reverent service (sevā) through correct installation and honoring of Viṣṇu’s manifestations—Pradyumna, Aniruddha, Varāha, and Narasiṃha—each approached in its proper place.
It reflects applied ritual-knowledge connected with kalpa (procedural ritual rules) and spatial discipline akin to vāstu/dik-jñāna, specifying directions (paścima, uttara, āgneya/īśāna, nairṛta) for icon placement.