Kāruṇya-stotra Phalaśruti; Dream-Darśana of Vāsudeva; Manifestation and Pratiṣṭhā of Jagannātha, Balabhadra (Ananta), and Subhadrā
प्रथमं शुक्लवर्णानां शारदेंदुसमप्रभम् । सुरक्ताक्षं महाकायं फटाविकटमस्तकम् ॥ ६२ ॥
prathamaṃ śuklavarṇānāṃ śāradeṃdusamaprabham | suraktākṣaṃ mahākāyaṃ phaṭāvikaṭamastakam || 62 ||
ആദ്യ പ്രതിമ ശ്വേതവർണ്ണം, ശരദ്ചന്ദ്രനെപ്പോലെ ദീപ്തി; ഗാഢരക്തനേത്രങ്ങൾ, മഹാകായ ദേഹം, ഫണാവിസ്തൃതമായ ഭീകര മസ്തകം എന്നിവയോടെ ഉണ്ടായിരുന്നു।
Narada (narrating/teaching in Purana dialogue style)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
It gives a meditative description of a powerful, awe-inspiring form—radiant yet fearsome—often used in Purāṇic contexts to convey protective potency and the mind’s reverence while approaching a sacred account (tīrtha/māhātmya narrative).
Bhakti here is supported through dhyāna-style visualization: focusing on distinctive divine/guardian attributes (radiance, eyes, magnitude, hooded head) steadies attention and evokes śraddhā, which is a practical doorway into devotional remembrance.
The verse primarily functions as an iconographic/dhyāna description rather than a Vedāṅga lesson; practically, it supports ritual visualization (kalpanā/dhyāna) used in Purāṇic worship and tīrtha-related observances.