The Description of Mohinī’s Love Episode
घनस्तनौ कांचनकुंभतुल्यौ प्रच्छादितौ हारविभूषणेन । वलित्रयं नातिविवर्द्धमानं मनोहरं लोमशराजिशोभम् ॥ ३० ॥
ghanastanau kāṃcanakuṃbhatulyau pracchāditau hāravibhūṣaṇena | valitrayaṃ nātivivarddhamānaṃ manoharaṃ lomaśarājiśobham || 30 ||
അവളുടെ ഘനമായ സ്തനങ്ങൾ സ്വർണ്ണകുംഭങ്ങളെപ്പോലെ, ഹാരാഭരണത്താൽ മറഞ്ഞിരുന്നു; നിതംബത്തിനടുത്തുള്ള മൂന്നു മടക്കങ്ങൾ അതിയായി തെളിഞ്ഞില്ല—മനോഹരമായി, സൂക്ഷ്മ രോമരേഖയുടെ ശോഭയാൽ അലങ്കരിതം।
Narada (narrative description within a Tirtha-Mahatmya passage; traditional dialogue frame with Sanatkumara lineage)
Vrata: none
Primary Rasa: shringara
Secondary Rasa: adbhuta
It uses classical Purāṇic poetic imagery to portray auspicious, divine beauty, reinforcing the sacred atmosphere of the narrative setting (often tied to a tīrtha or a revered presence) and drawing the mind toward śraddhā and reverence.
While not a direct instruction on bhakti, such vivid sacred description functions as a meditative support (smaraṇa) that helps devotees focus the mind on the auspicious form and presence associated with the Purāṇic account, which is a common devotional method in Purāṇas.
No explicit Vedāṅga teaching is stated; the verse primarily reflects alaṅkāra (poetic ornamentation) and descriptive convention rather than Śikṣā, Vyākaraṇa, Jyotiṣa, or ritual procedure.