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Narada Purana — Purva Bhaga, Shloka 24

Hari-nāma Mahimā and Caraṇāmṛta: The Redemption of the Hunter Gulika

Uttaṅka Itihāsa

योषिद्धिर्भूषितार्भिश्च सरोभिनिर्मलोदकैः । अलंकृतं विपणिभिर्ययो देवपुरोपमम् ॥ २४ ॥

yoṣiddhirbhūṣitārbhiśca sarobhinirmalodakaiḥ | alaṃkṛtaṃ vipaṇibhiryayo devapuropamam || 24 ||

ആ നഗരം സ്ത്രീകളുടെയും അലങ്കരിക്കപ്പെട്ട കന്യകളുടെയും കൂട്ടങ്ങളാൽ ശോഭിച്ചു; സ്ഫടികസമാന നിർമ്മലജലമുള്ള തടാകങ്ങളും വിപണികളും അലങ്കരിച്ചതിനാൽ അത് ദേവപുരംപോലെ തോന്നി।

योषिद्भिःby women
योषिद्भिः:
Karaṇa (करण)
TypeNoun
Rootयोषित् (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (instrumental), बहुवचन
भूषिताभिःadorned
भूषिताभिः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootभूष् (धातु) + भूषित (कृदन्त-प्रातिपदिक; क्त)
Formभूतकर्मणि कृदन्त (past passive participle), स्त्रीलिङ्ग, तृतीया, बहुवचन; विशेषण of योषिद्भिः (agreeing in sense: “adorned”)
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय (conjunction)
सरःभिःwith lakes/ponds
सरःभिः:
Karaṇa (करण)
TypeNoun
Rootसरस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया, बहुवचन
निर्मल-उदकैःwith clear waters
निर्मल-उदकैः:
Karaṇa (करण)
TypeNoun
Rootनिर्मल (प्रातिपदिक) + उदक (प्रातिपदिक)
Formकर्मधारय-समास: निर्मलम् उदकम्; नपुंसकलिङ्ग, तृतीया, बहुवचन
अलंकृतम्adorned
अलंकृतम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootअलम् + कृ (धातु) + अलंकृत (कृदन्त-प्रातिपदिक; क्त)
Formभूतकर्मणि कृदन्त (past passive participle), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विशेषण (of नगरम् understood)
विपणिभिःwith markets/shops
विपणिभिः:
Karaṇa (करण)
TypeNoun
Rootविपणि (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया, बहुवचन
ययौwent
ययौ:
Kriyā (क्रिया)
TypeVerb
Rootया (धातु)
Formलिट् (perfect), प्रथमपुरुष, एकवचन, परस्मैपद
देवपुर-उपमम्like a divine city
देवपुर-उपमम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootदेव (प्रातिपदिक) + पुर (प्रातिपदिक) + उपम (प्रातिपदिक)
Formतत्पुरुष-समास: देवपुरस्य उपमम् (like a city of gods); नपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण (of नगरम्)

Narada (narrative description within the dialogue frame)

Vrata: none

Primary Rasa: adbhuta

Secondary Rasa: shanta

FAQs

The verse uses the image of purity (clear lakes) and harmony (orderly marketplaces and ornamented citizens) to portray a realm aligned with dharma—an outer reflection of inner refinement and auspiciousness.

Indirectly, it presents the devotional ideal that a Vishnu-aligned life produces sattvic qualities—purity, beauty, and well-ordered prosperity—symbolized by clear waters and a “city of the gods” atmosphere.

No specific Vedanga (like Vyakarana or Jyotisha) is taught in this verse; it functions primarily as a Puranic descriptive passage emphasizing sattva, auspicious civic order, and purity.