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Narada Purana — Purva Bhaga, Shloka 69

Vāmana’s Advent, Aditi’s Hymn, Bali’s Gift, and the Mahatmya of Bhū-dāna

शङ्गचक्रधरं शान्तं चन्द्रमण्डलमध्यगम् । सुधाकलशदध्यन्नकरं वामनसंज्ञितम् ॥ ६९ ॥

śaṅgacakradharaṃ śāntaṃ candramaṇḍalamadhyagam | sudhākalaśadadhyannakaraṃ vāmanasaṃjñitam || 69 ||

അവൻ ശാന്തസ്വരൂപൻ, ശംഖചക്രധാരി, ചന്ദ്രമണ്ഡലത്തിന്റെ മദ്ധ്യത്തിൽ വസിക്കുന്നവൻ; കൈകളിൽ അമൃതകലശവും ദധ്യന്നപാത്രവും ധരിച്ചവൻ—ഈ രൂപം ‘വാമനൻ’ എന്ന നാമത്തിൽ പ്രസിദ്ധം।

शङ्ख-चक्र-धरम्bearing conch and discus
शङ्ख-चक्र-धरम्:
Visheshana (विशेषण)
TypeAdjective
Rootशङ्ख (प्रातिपदिक) + चक्र (प्रातिपदिक) + धर (धृ-धातु, अच्/प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; बहुपद-तत्पुरुष (शङ्खं च चक्रं च धरति)
शान्तम्peaceful
शान्तम्:
Visheshana (विशेषण)
TypeAdjective
Rootशान्त (शम्-धातु, क्त/कृदन्त)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
चन्द्र-मण्डल-मध्य-गम्situated in the middle of the lunar orb
चन्द्र-मण्डल-मध्य-गम्:
Visheshana (विशेषण)
TypeAdjective
Rootचन्द्र (प्रातिपदिक) + मण्डल (प्रातिपदिक) + मध्य (प्रातिपदिक) + ग (गम्-धातु, क्विप्/प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; तत्पुरुष (चन्द्रमण्डलस्य मध्ये गः)
सुधा-कलश-दधि-अन्न-करम्holding a pot of nectar, curd and food (in his hands)
सुधा-कलश-दधि-अन्न-करम्:
Visheshana (विशेषण)
TypeAdjective
Rootसुधा (प्रातिपदिक) + कलश (प्रातिपदिक) + दधि (प्रातिपदिक) + अन्न (प्रातिपदिक) + कर (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; तत्पुरुष (सुधाकलशं दध्यन्नं च करयोः यस्य)
वामन-संज्ञितम्named Vāmana
वामन-संज्ञितम्:
Visheshana (विशेषण)
TypeAdjective
Rootवामन (प्रातिपदिक) + संज्ञित (संज्ञा-धातु/√ज्ञा with सम्, क्त/कृदन्त)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; तत्पुरुष (वामन इति संज्ञितः)

Sanatkumara (teaching Narada)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: adbhuta

V
Vishnu
V
Vamana

FAQs

The verse gives a dhyāna-lakṣaṇa (meditative iconography) of Vishnu as Vāmana, teaching that calm contemplation of the Lord’s distinct attributes—conch, discus, and auspicious offerings—stabilizes the mind and supports devotion-oriented liberation.

Bhakti here is practiced as upāsanā through form-based remembrance: visualizing Vishnu’s peaceful presence and sacred emblems, and relating to him through offerings (food/nectar), which turns worship into continuous loving recollection.

It reflects practical ritual and iconographic knowledge used in pūjā—how to identify a deity-form by emblems and hand-held items—supporting correct application of mantra, offering (naivedya), and meditative visualization.