Maṅgalācaraṇa, Naimiṣāraṇya-Sabhā, Sūta-Āhvāna, and Narada Purāṇa-Māhātmya
वावयेत्पुरतो विष्णोः पुण्यक्षेत्रे द्विजान्तिके । ब्रह्यद्रोहपराणां च दंभाचारयुतात्मनाम् ॥ ४८ ॥
vāvayetpurato viṣṇoḥ puṇyakṣetre dvijāntike | brahyadrohaparāṇāṃ ca daṃbhācārayutātmanām || 48 ||
വിഷ്ണുവിന്റെ സന്നിധിയിൽ, പുണ്യക്ഷേത്രത്തിൽ, ബ്രാഹ്മണരുടെ സമീപത്ത് ഇതിന്റെ പാരായണം നടത്തിക്കൊള്ളണം—പ്രത്യേകിച്ച് ബ്രഹ്മ/ബ്രാഹ്മണദ്രോഹത്തിൽ ലീനരായും, ദംഭവും ദുഷ്ടാചാരവും ചേർന്ന മനസ്സുള്ളവർക്കുമായി.
Narada (instructional narration within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: karuna
It prescribes a corrective, purificatory act—devotional recitation before Viṣṇu at a sacred place in the presence of brāhmaṇas—aimed at reforming those tainted by brahma-droha (anti-sacred hostility) and dambha (hypocrisy).
Bhakti is presented as an active remedial discipline: placing oneself before Viṣṇu and engaging in sanctioned recitation (parāyaṇa) within a dharmic setting (tīrtha and brāhmaṇa-satsaṅga) to transform impure tendencies.
It highlights ritual-practice protocol (proper place—puṇyakṣetra; proper officiant/audience—dvija), aligning devotional recitation with dharmic procedure—closest to Kalpa-oriented discipline (right performance and context).