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Narada Purana — Purva Bhaga, Shloka 64

Śuka’s Origin, Mastery of Śāstra, and Testing at Janaka’s Court

संलापालापकुशाला भावज्ञाः सर्वकोविदाः । परं पंचाशतस्तस्य पाद्यादीनि व्यकल्पयन् ॥ ६४ ॥

saṃlāpālāpakuśālā bhāvajñāḥ sarvakovidāḥ | paraṃ paṃcāśatastasya pādyādīni vyakalpayan || 64 ||

അവർ സംവാദ-വാക്ചാതുര്യത്തിൽ നിപുണരും, ഭാവം അറിയുന്നവരും, സർവകലകളിലും പ്രാവീണ്യമുള്ളവരുമായിരുന്നു; അവനുവേണ്ടി പാദ്യം മുതലായ আতിഥ്യോപചാരങ്ങൾ അമ്പതിലധികം വിധത്തിൽ ഒരുക്കി।

संलाप-आलाप-कुशालाःskilled in conversation
संलाप-आलाप-कुशालाः:
Karta (कर्ता)
TypeAdjective
Rootसंलाप (प्रातिपदिक) + आलाप (प्रातिपदिक) + कुशल (प्रातिपदिक)
Formपुंलिङ्ग/स्त्रीलिङ्ग (context: स्त्रियः), प्रथमा (कर्ता), बहुवचन; समासः—संलापे आलापे च कुशलाः (skilled in conversation and talk)
भाव-ज्ञाःknowing (his) feelings
भाव-ज्ञाः:
Karta (कर्ता)
TypeAdjective
Rootभाव (प्रातिपदिक) + ज्ञ (√ज्ञा धातु, क)
Formपुं/स्त्री, प्रथमा, बहुवचन; समासः—भावं जानन्ति (knowers of feelings/intent)
सर्व-कोविदाःexpert in all (arts)
सर्व-कोविदाः:
Karta (कर्ता)
TypeAdjective
Rootसर्व (प्रातिपदिक) + कोविद (प्रातिपदिक)
Formपुं/स्त्री, प्रथमा, बहुवचन; कर्मधारयः—सर्वेषु कोविदाः (skilled in everything)
परम्exceedingly
परम्:
Kriya-viseshana (क्रियाविशेषण)
TypeIndeclinable
Rootपर (प्रातिपदिक)
Formअव्ययीभाव-प्रयोगे अव्ययवत् (adverbial accusative) = ‘exceedingly/indeed’
पञ्चाशतःfifty (of them)
पञ्चाशतः:
Karta (कर्ता)
TypeNoun
Rootपञ्चाशत् (संख्याप्रातिपदिक)
Formस्त्रीलिङ्ग (पञ्चाशत्), प्रथमा (कर्ता), एकवचन; संख्याशब्दः—‘fifty (women)’ (collective)
तस्यfor him/of him
तस्य:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुं/नपुंसक, षष्ठी (सम्बन्ध), एकवचन
पाद्य-आदीनिpādya etc. (hospitality items)
पाद्य-आदीनि:
Karma (कर्म)
TypeNoun
Rootपाद्य (प्रातिपदिक) + आदि (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (कर्म), बहुवचन; समासः—पाद्यं आदिः येषाम् (pādya and the like: water for feet etc.)
व्यकल्पयन्they arranged/provided
व्यकल्पयन्:
Kriya (क्रिया)
TypeVerb
Root√कॢप् (धातु)
Formलङ् (अनद्यतनभूत), प्रथमपुरुष, बहुवचन; परस्मैपद; उपसर्गः ‘वि’ (to arrange/provide)

Suta (narrating the episode within the Moksha-dharma section)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: adbhuta

FAQs

It elevates atithi-satkāra (honoring a guest) into a dharmic and spiritually purifying act: refined speech, correct understanding of intent, and careful ritual hospitality become expressions of inner discipline.

By highlighting attentive service—offering pādya and related upacāras with sensitivity to bhāva—it shows bhakti as practical reverence expressed through respectful, heartfelt service rather than mere formality.

Ritual procedure (kalpa-style discipline) is implied: the ordered preparation of upacāras such as pādya and others reflects procedural correctness and ceremonial know-how used in pūjā and guest reception.