Shloka 42
Adhyaya 61 — The Second Manvantara Begins: The Brahmin’s Swift Journey and Varuthini’s Temptation on Himavat
मार्कण्डेय उवाच एवम् सञ्चिन्तयन्ती सा दिव्ययोषित् स्मरातुरा । आत्मानं दर्शयामास कमनीयतराकृतिम् ॥
mārkaṇḍeya uvāca evaṃ sañcintayantī sā divyayoṣit smarāturā / ātmānaṃ darśayāmāsa kamanīyatarākṛtim
മാർകണ്ഡേയൻ പറഞ്ഞു—ഇങ്ങനെ ചിന്തിച്ചുകൊണ്ടിരുന്ന ആ ദിവ്യസ്ത്രീ, കാമവേദനയാൽ പീഡിതയായി, തുടർന്ന് സ്വയം വെളിപ്പെടുത്തി; അതിലും മനോഹരമായ രൂപം ധരിച്ചു.
{ "primaryRasa": "shringara", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
FAQs
Desire leads to self-display and strategizing; the story externalizes inner agitation (āturatā) into action (self-revelation), illustrating how mental states condition behavior.
Ākhyāna/Upākhyāna with didactic coloring; it is not directly sarga/pratisarga/manvantara/vaṃśa/vaṃśānucarita.
‘Assuming a more alluring form’ can symbolize māyā’s capacity to intensify appearances to capture attention; it warns that enhanced attractiveness may be a deliberate veil over truth.