Shloka 7

एकेनैव हृतं विश्वं व्याप्तं त्वेवं शिवेन तु अलिङ्गं चैव लिङ्गं च लिङ्गालिङ्गानि मूर्तयः

ekenaiva hṛtaṃ viśvaṃ vyāptaṃ tvevaṃ śivena tu aliṅgaṃ caiva liṅgaṃ ca liṅgāliṅgāni mūrtayaḥ

ആ ഏകനാൽ തന്നെയാണ് ഈ സർവ്വവിശ്വം ധൃതവും സർവ്വത്ര വ്യാപ്തവും—അഥവാ ശിവനാൽ. അവൻ അലിംഗനും ലിംഗസ്വരൂപനും; അവന്റെ മൂർത്തികൾ മൂന്ന്—അലിംഗ, ലിംഗ, ലിംഗ-അലിംഗ.

ekena evaby the One alone
ekena eva:
hṛtamsustained/borne (upheld)
hṛtam:
viśvamthe universe
viśvam:
vyāptampervaded
vyāptam:
tuindeed
tu:
evaṃthus
evaṃ:
śivenaby Shiva
śivena:
aliṅgamwithout sign/mark, unmanifest (nirliṅga)
aliṅgam:
ca evaand also
ca eva:
liṅgamwith sign/mark, the Linga (symbolic form)
liṅgam:
liṅga-aliṅgāniboth marked-and-unmarked, mixed mode (manifest–unmanifest)
liṅga-aliṅgāni:
mūrtayaḥforms/embodiments
mūrtayaḥ:

Suta Goswami (narrating the Shaiva doctrine to the sages of Naimisharanya)

S
Shiva
L
Linga

FAQs

It legitimizes Linga-puja as worship of Shiva’s accessible “marked” form (liṅga) while affirming that the same Shiva is ultimately beyond all marks (aliṅga), so the symbol leads the devotee toward the transcendental Pati.

Shiva is presented as the One who pervades and upholds all, simultaneously transcendent (aliṅga, beyond attributes) and immanent (liṅga, revealed through a sacred sign), with manifestations spanning unmanifest, manifest, and mixed modes.

It implies a twofold discipline: external Linga-puja (upacara, abhisheka) for embodied devotion, and internal Pashupata-style contemplation on the aliṅga Shiva—moving the pashu (soul) beyond pasha (bondage) toward Pati.