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Shloka 45

लिङ्गार्चनविधिक्रमः—शुद्धि, न्यास, आसनकल्पना, अभिषेक, स्तोत्र-प्रदक्षिणा

Adhyaya 27

विरूपाक्षेण स्कन्देन शतऋग्भिः शिवैस् तथा पञ्चब्रह्मैश् च सूत्रेण केवलप्रणवेन च

virūpākṣeṇa skandena śataṛgbhiḥ śivais tathā pañcabrahmaiś ca sūtreṇa kevalapraṇavena ca

വിരൂപാക്ഷനെയും സ്കന്ദനെയും ആവാഹനം ചെയ്ത്, ശിവന്റെ ശത ഋക്കുകൾ പാരായണം ചെയ്ത്, പഞ്ചബ്രഹ്മ മന്ത്രങ്ങളാൽ, പവിത്ര സൂത്രത്താൽ, കൂടാതെ കേവലം പ്രണവം ‘ഓം’ മാത്രത്താലും—പരമപതി ശിവനെ ആരാധിക്കാം।

virūpākṣeṇaby (the mantra/form of) Virūpākṣa
virūpākṣeṇa:
skandenaby Skanda (Kārttikeya)
skandena:
śata-ṛgbhiḥby a hundred Ṛk-verses (Vedic hymns)
śata-ṛgbhiḥ:
śivaiḥpertaining to Śiva / Śaiva hymns
śivaiḥ:
tathāand likewise
tathā:
pañca-brahmaiḥby the five Brahma-mantras (Pañcabrahma: Sadyojāta, Vāmadeva, Aghora, Tatpuruṣa, Īśāna)
pañca-brahmaiḥ:
caand
ca:
sūtreṇaby the sūtra (ritual formula/cord used in worship)
sūtreṇa:
kevala-praṇavenaby the Pranava alone (Oṁ only)
kevala-praṇavena:
caalso
ca:

Suta Goswami (narrating Linga-Puja mantra options within the Purva-Bhaga discourse)

S
Shiva
V
Virupaksha
S
Skanda

FAQs

It authorizes multiple orthodox mantra-paths for Linga-puja—Vedic Ṛks, Pañcabrahma, and even simple Om—showing that Shiva (Pati) is approachable through graded ritual and contemplative means.

Shiva-tattva is indicated as the supreme object of praise and realization who can be invoked through forms (Virūpākṣa, Skanda) and through mantra-essence (Pañcabrahma and Pranava), implying both saguna-upasana and nirguna-oriented contemplation.

Mantra-japa and Vedic recitation in Linga-puja are highlighted, especially Pañcabrahma-mantra usage and kevala-pranava (Om-only) practice, aligning outer worship with inner Pashupata-style concentration.