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Shloka 79

Adhyaya 17: लिङ्गोद्भव—ब्रह्मविष्ण्वहङ्कार-शमनं, ओंकार-प्रादुर्भावः, मन्त्र-तत्त्वं च

पकारमुदरं तस्य फकारः पार्श्वमुच्यते बकारो वामपार्श्वं वै भकारं स्कन्धमस्य तत्

pakāramudaraṃ tasya phakāraḥ pārśvamucyate bakāro vāmapārśvaṃ vai bhakāraṃ skandhamasya tat

ആ ലിംഗ-മന്ത്രദേഹത്തിൽ ‘പ’ അവന്റെ ഉദരം; ‘ഫ’ അവന്റെ പാർശ്വം; ‘ബ’ തീർച്ചയായും ഇടത് പാർശ്വം; ‘ഭ’ അവന്റെ സ്കന്ധം (തോൾ) എന്നു പറയുന്നു.

पकारम् (pakāram)the syllable ‘pa’
पकारम् (pakāram):
उदरम् (udaram)belly/abdomen
उदरम् (udaram):
तस्य (tasya)of that (Lord/Linga-form)
तस्य (tasya):
फकारः (phakāraḥ)the syllable ‘pha’
फकारः (phakāraḥ):
पार्श्वम् (pārśvam)side/flank
पार्श्वम् (pārśvam):
उच्यते (ucyate)is said/declared
उच्यते (ucyate):
बकारः (bakāraḥ)the syllable ‘ba’
बकारः (bakāraḥ):
वामपार्श्वम् (vāma-pārśvam)left side
वामपार्श्वम् (vāma-pārśvam):
वै (vai)indeed/verily
वै (vai):
भकारम् (bhakāram)the syllable ‘bha’
भकारम् (bhakāram):
स्कन्धम् (skandham)shoulder
स्कन्धम् (skandham):
अस्य (asya)of Him/of this
अस्य (asya):
तत् (tat)that (is)
तत् (tat):

Suta Goswami (narrating the Linga’s mantra-body symbolism within the Purva-Bhaga discourse)

S
Shiva

FAQs

It teaches mantra-nyāsa: the practitioner meditatively installs syllables as Shiva’s limbs, converting Linga-pūjā into embodied contemplation where the Linga is experienced as the living Pati.

Shiva-tattva is presented as both transcendent and immanent: the formless Linga becomes knowable through sound (śabda), where phonemes reveal a divine body without limiting His infinite nature.

Mantra-nyāsa and dhyāna are highlighted—assigning syllables to body-parts as a Pāśupata-oriented internal worship that loosens pāśa (bondage) of the paśu (soul) by fixing awareness on Pati (Shiva).