Adhyaya 17: लिङ्गोद्भव—ब्रह्मविष्ण्वहङ्कार-शमनं, ओंकार-प्रादुर्भावः, मन्त्र-तत्त्वं च
पकारमुदरं तस्य फकारः पार्श्वमुच्यते बकारो वामपार्श्वं वै भकारं स्कन्धमस्य तत्
pakāramudaraṃ tasya phakāraḥ pārśvamucyate bakāro vāmapārśvaṃ vai bhakāraṃ skandhamasya tat
ആ ലിംഗ-മന്ത്രദേഹത്തിൽ ‘പ’ അവന്റെ ഉദരം; ‘ഫ’ അവന്റെ പാർശ്വം; ‘ബ’ തീർച്ചയായും ഇടത് പാർശ്വം; ‘ഭ’ അവന്റെ സ്കന്ധം (തോൾ) എന്നു പറയുന്നു.
Suta Goswami (narrating the Linga’s mantra-body symbolism within the Purva-Bhaga discourse)
It teaches mantra-nyāsa: the practitioner meditatively installs syllables as Shiva’s limbs, converting Linga-pūjā into embodied contemplation where the Linga is experienced as the living Pati.
Shiva-tattva is presented as both transcendent and immanent: the formless Linga becomes knowable through sound (śabda), where phonemes reveal a divine body without limiting His infinite nature.
Mantra-nyāsa and dhyāna are highlighted—assigning syllables to body-parts as a Pāśupata-oriented internal worship that loosens pāśa (bondage) of the paśu (soul) by fixing awareness on Pati (Shiva).