Tīrtha-māhātmya and Rudra’s Samanvaya Teaching
Maṅkaṇaka Episode
इत्याभाष्य मुनिश्रेष्ठं स रुद्रः किल विश्वदृक् / आस्थाय परमं भावं ननर्त जगतो हरः
ityābhāṣya muniśreṣṭhaṃ sa rudraḥ kila viśvadṛk / āsthāya paramaṃ bhāvaṃ nanarta jagato haraḥ
ഇങ്ങനെ മുനിശ്രേഷ്ഠനോട് പറഞ്ഞ ശേഷം, സർവ്വദർശിയായ രുദ്രൻ പരമഭാവം ആശ്രയിച്ച്, ജഗത്തിന്റെ ഹരനായ ഹരരൂപത്തിൽ നൃത്തം ചെയ്തു.
Narrator (Purāṇic narrator describing Rudra’s action after speaking to a great sage)
Primary Rasa: adbhuta
Secondary Rasa: raudra
By portraying Rudra as viśvadṛk (all-seeing) who enters parama-bhāva (the supreme state), the verse points to a consciousness that transcends ordinary mind and becomes the universal witness—an Upaniṣadic marker of the Supreme Self.
The key yogic idea is āsthāya paramaṃ bhāvam—entering a highest inner state. In a Pāśupata-leaning reading, this indicates absorption (samāveśa/samādhi-like exaltation) where divine awareness overflows into sacred action, here symbolized by Rudra’s dance.
While the verse centers on Rudra/Hara, Kurma Purana’s broader synthesis treats such divine supremacy as compatible with Viṣṇu’s cosmic lordship; the “supreme state” language supports a non-competitive, unitary view of īśvaratva (divine sovereignty) across Śiva and Viṣṇu.