Shloka 12
Madhu–Kaiṭabha, Nārāyaṇa’s Yoga-Nidrā, Rudra’s Manifestation, and the Aṣṭamūrti–Trimūrti Teaching
ततः प्रभाते योगात्मा भूत्वा देवश्चतुर्मुखः / ससर्ज सृष्टिं तद्रूपां वैष्णवं भावमाश्रितः
tataḥ prabhāte yogātmā bhūtvā devaścaturmukhaḥ / sasarja sṛṣṭiṃ tadrūpāṃ vaiṣṇavaṃ bhāvamāśritaḥ
പിന്നീട് പ്രഭാതത്തിൽ യോഗചൈതന്യത്തിൽ സ്ഥാപിതനായ ചതുര്മുഖ ദേവനായ ബ്രഹ്മാവ്, വൈഷ്ണവഭാവം (നാരായണന്റെ ധാരണശക്തി) ആശ്രയിച്ച് അതേ രൂപാനുസൃതമായി സൃഷ്ടി സൃഷ്ടിച്ചു।
Sūta (narrator) recounting the cosmogony to the sages (Naimiṣāraṇya frame)
Primary Rasa: vira
Secondary Rasa: adbhuta
FAQs
It implies that even Brahmā’s creative activity proceeds from yogic absorption and by reliance on a higher sustaining principle (Vaiṣṇava bhāva), indicating that individual agency is effective when aligned with the Supreme (Nārāyaṇa) rather than independent.
The verse highlights yogātmā—entering a stabilized yogic state before undertaking action—suggesting creation (and by extension dharmic work) should arise from inner concentration, clarity, and alignment with īśvara-bhāva rather than from distraction or egoic impulse.
While naming a Vaiṣṇava disposition explicitly, the Kurma Purana’s broader synthesis frames such divine “bhāvas” as complementary powers within one supreme reality—creation is empowered through alignment with the sustaining Lord, without denying the Shaiva horizon that the text later integrates through Yoga and īśvara-oriented discipline.