Previous Verse
Next Verse

Shloka 27

पार्वत्याः पितृगृहगमनं तथा मङ्गलस्वागतम् | Pārvatī’s Return to Her Father’s House and the Auspicious Welcome

शृंगं वामे करे धृत्वा दक्षिणे डमरु तथा । पृष्ठे कंथां रक्तवासा नृत्यगानविशारदः

śṛṃgaṃ vāme kare dhṛtvā dakṣiṇe ḍamaru tathā | pṛṣṭhe kaṃthāṃ raktavāsā nṛtyagānaviśāradaḥ

ພຣະອົງຖືເຂົາສັດໄວ້ໃນມືຊ້າຍ ແລະຖືດະມະຣູ (ḍamaru) ໃນມືຂວາ; ມີຜ້າຄຸມຢູ່ຫຼັງ ນຸ່ງຜ້າສີແດງ ແລະເປັນຜູ້ຊຳນານຍິ່ງໃນການຟ້ອນແລະຮ້ອງ.

शृङ्गम्horn
शृङ्गम्:
Karma (कर्म)
TypeNoun
Rootशृङ्ग (प्रातिपदिक)
Formनपुंसकलिङ्ग; एकवचन; द्वितीया (accusative)
वामेin the left
वामे:
Adhikarana (अधिकरण)
TypeAdjective
Rootवाम (प्रातिपदिक)
Formपुल्लिङ्ग/नपुंसकलिङ्ग; एकवचन; सप्तमी (locative); ‘वामे’ = in the left
करेhand
करे:
Adhikarana (अधिकरण)
TypeNoun
Rootकर (प्रातिपदिक)
Formपुल्लिङ्ग; एकवचन; सप्तमी (locative)
धृत्वाhaving held
धृत्वा:
Purvakala-kriya (पूर्वकालक्रिया)
TypeVerb
Rootधृ (धातु)
Formक्त्वा-प्रत्ययान्त अव्यय-भावे कृदन्त (gerund); पूर्वकालिकक्रिया (having held)
दक्षिणेin the right
दक्षिणे:
Adhikarana (अधिकरण)
TypeAdjective
Rootदक्षिण (प्रातिपदिक)
Formपुल्लिङ्ग/नपुंसकलिङ्ग; एकवचन; सप्तमी (locative); ‘in the right’
डमरुḍamaru drum
डमरु:
Karma (कर्म)
TypeNoun
Rootडमरु (प्रातिपदिक)
Formनपुंसकलिङ्ग; एकवचन; प्रथमा/द्वितीया; अत्र कर्म (object held)
तथाalso/likewise
तथा:
Kriya-viseshana (क्रियाविशेषण)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय; समुच्चय/प्रकारवाचक (also/likewise)
पृष्ठेon the back
पृष्ठे:
Adhikarana (अधिकरण)
TypeNoun
Rootपृष्ठ (प्रातिपदिक)
Formनपुंसकलिङ्ग; एकवचन; सप्तमी (locative)
कन्थाम्cloak/outer garment
कन्थाम्:
Karma (कर्म)
TypeNoun
Rootकन्था (प्रातिपदिक)
Formस्त्रीलिङ्ग; एकवचन; द्वितीया (accusative)
रक्त-वासाwearing red garments
रक्त-वासा:
Visheshana (विशेषण)
TypeAdjective
Rootरक्त + वासस्/वासा (प्रातिपदिक)
Formबहुव्रीहि (one whose clothing is red); पुल्लिङ्ग; एकवचन; प्रथमा; विशेषणम्
नृत्य-गान-विशारदःskilled in dance and singing
नृत्य-गान-विशारदः:
Visheshana (विशेषण)
TypeAdjective
Rootनृत्य + गान + विशारद (प्रातिपदिक)
Formसमाहार/तत्पुरुष-प्रधान (skilled in dance and song); पुल्लिङ्ग; एकवचन; प्रथमा; विशेषणम्

Suta Goswami

Tattva Level: pati

Shiva Form: Naṭarāja

S
Shiva

FAQs

The verse highlights Shiva’s Saguna (manifest) attributes—sound (ḍamaru), rhythm, and divine artistry—showing that creation, dissolution, and grace operate through sacred vibration (nāda) and ordered movement, guiding devotees toward inner stillness and liberation.

While the Liṅga points to Shiva’s transcendent Nirguna reality, such iconographic descriptions support Saguna upāsanā: devotees contemplate Shiva’s forms and symbols (like the ḍamaru) to steady the mind, mature devotion, and ultimately realize the Liṅga’s formless truth.

Meditate on the ḍamaru as the source of sacred sound and silently repeat the Pañcākṣarī mantra “Om Namaḥ Śivāya,” aligning breath and attention with rhythmic japa—especially suitable for Mahāśivarātri vrata, worship, and night-long kīrtana.